The Indian National Trust for Art and Cultural Heritage (INTACH) has also listed 39 buildings to be protected in the city. The state horticulture department is working on a proposal to get archaeologically protected site tag for Lalbagh and Cubbon Park. This comes at a time when the Greater Bengaluru Authority and the Urban Development Department are keen on implementing Deputy Chief Minister DK Shivakumar’s pet project, construction of a tunnel road, for which six acres of Lalbagh land will be used. The tunnel road is likely to be drilled below the geologically protected Lalbagh Rock. “While Lalbagh rock is geologically protected, the botanical garden is not. It was created by Hyder Ali in 1760s as his personnel garden. Then it was 40 acres.

In 1856, 80 acres were added, and later more land was added by HM Marigowda in the 1980s. Kempegowda Tower inside Lalbagh is also declared as a heritage structure," said a senior horticulture department official. “We are now undertaking a tree canopy study inside Cubbon Park to increase plantations. We have added plumeria trees of 250 different shades of colours in the 197 acres. With this, Cubbon Park has become the richest plumeria germplasm in south India. We continue to get many proposals for construction and infrastructure works inside Cubbon Park. The archaeological tag will help protect Lalbagh and Cubbon Park for any works," the officials added. Devaraju A, Commissioner, Department of Archaeology, Museums and Heritage, said that Mysuru has declared 129 buildings as heritage and archaeologically protected but Bengaluru has none. "Two years back, we proposed to declare 39 buildings as heritage, apart from Lalbagh and Cubbon Park, but nothing moved forward," he said.

The Indian National Trust for Art and Cultural Heritage (INTACH) has also listed 39 buildings to be protected in the city. “The lists included some schools, police stations and government offices. There is a provision under Karnataka Town and Country Planning Act to set up District Heritage Committees to identify and declare sites and buildings as heritage, but such a committee has not been formed in Bengaluru. Earlier the Bangalore Development Authority was to undertake the exercise. It has now been passed onto Greater Bengaluru Authority,” said another official with Department of Archaeology.

https://www.newindianexpress.com/cities/bengaluru/2025/Nov/01/horti-department-digs-in-to-get-asi-site-tag-for-lalbagh-cubbon, November 3, 2025

Urban development and housing (UDH) department in collaboration with heritage conservation NGOs INTACH Shekhawati Chapter, Shruti Foundation, and WICCI – National Culture and Heritage Council, unveiled a comprehensive toolkit Wednesday for owners of Shekhawati havelis. The toolkit, developed by the architectural wing of INTACH in partnership with UDH department and the other NGOs, provides guidance on maintaining and preserving these historic properties.

"The state govt has also approved this toolkit," said Shruti Nada Poddar, convener of the Shekhawati chapter of INTACH. UDH minister Jhabar Singh Kharra launched the toolkit at the historic Ramgarh Fort. Abhishek Surana, Mukul Sharma and Arun Garg, district collectors of the three Shekhawati districts of Churu, Sikar and Jhunjhunu, were present at the event.

The launch was followed by panel discussions featuring eminent historians and conservation experts, including Rima Hooja, chairperson of the architectural heritage division of INTACH; Sikha Jain, UNESCO consultant; and RK Vijayvargiya, former chief town planner of the state. "The main aim of this project was to develop these three cities while maintaining and conserving their heritage. The state govt is planning to launch specific byelaws for these three historic cities to empower the district collectors so that they can ensure enforcement on the conservation of these historic architectures," stated Poddar.

https://timesofindia.indiatimes.com/city/jaipur/toolkit-for-shekhawati-havelis-launched-by-govt-partner-ngos/articleshowprint/125116075.cms, November 4, 2025

The Odisha chapter of Indian National Trust for Art and Cultural Heritage (INTACH) and Sri Sri University, signed a MoU for setting up a Heritage Club at the Campus of the University in Cuttack. The MOU was signed by Dr. Biswajit Mohanty, State Convener of Intach and Mrs. Rajita Kulkarni, President of Sri Sri University, in the presence of Registrar Dr. Anil Sharma, Dean Prof. Anisa Azharunnisa, and Dean Rupal Shah.

The MOU will facilitate collaborative efforts to further common objectives through various activities. Dr. Tej Pratap, Vice Chancellor of the University said that both the organizations will work towards promoting academic and research facilities, conducting training programmes on culture education, heritage, tourism and related subjects for students and academia.

https://www.uniindia.com/news/east/culture-orissa-intach/3627160.html, November 4, 2025

A six-member team of the Indian National Trust for Art and Cultural Heritage (INTACH) visited Kannauj district. The team's objective is to promote and preserve the district's art, culture, and heritage. During the visit, historical and religious sites were visited with the help of local experts. This team had reached Kannauj on the initiative of Social Welfare Minister of Uttar Pradesh Government and Sadar MLA Asim Arun.

The team was led by Harish Benjwal, Senior Research Associate, and Mitali Vij, Project Manager, Architectural Heritage Division. The team visited important sites like ancient Alha-Udal mound, Makhdoom Jahania, Raja Jaichandra mound, FFDC Museum, Roma Memorial, Annapurna Temple, Lakh Bahoshi Bird Sanctuary, Mehndighat and Anand Bhawan Palace Tirwa. Minister Aseem Arun said that during the inspection, the team conducted a detailed study of the conservation, beautification and tourism potential of the cultural, architectural and religious heritage of the district.

The team interacted with local heritage experts and officials and specifically discussed the historical importance of Kannauj, traditional craftsmanship and the antiquity of the perfume industry. The team from New Delhi shared their experiences with District Magistrate Ashutosh Mohan Agnihotri at the Collectorate office. They presented useful suggestions on heritage conservation and sustainable tourism development. The team explained that Kannauj's historical heritage represents the culture and pride of not only Uttar Pradesh but the entire country.

Based on their report, concrete plans will be prepared for the conservation, promotion and sustainable tourism development of these sites. District Magistrate Ashutosh Mohan Agnihotri said that the antiquity, historical grandeur and cultural dignity of Kannauj is the soul of our heritage. He assured to take concrete initiatives for conservation of these heritages and tourism development in collaboration with INTACH, so that Kannauj can get global recognition.

https://www.bhaskar.com/local/uttar-pradesh/kannauj/news/intach-team-visits-heritage-sites-of-kannauj-136351991.html, November 5, 2025

District Judge Rajesh Jain praised the work being done by the Indian National Trust for Art and Cultural Heritage (INTACH) Bhilwara Chapter in the field of nature and heritage conservation, calling it wonderful and inspiring. He was addressing as the chief guest at the Sneh Milan and Felicitation Ceremony organised at Hotel Nandini on Sunday. Justice Jain said that conservation of nature and heritage is not just the responsibility of any institution or group but is the duty of every individual in the society. He appealed to all the members present to take an active part in the work of environmental protection and protection of cultural heritage. On this occasion, teachers who contributed to various school-level activities and competitions organized by INTACH to promote heritage and archaeological conservation were honored.

Convener Babulal Jaju said that teachers who have made significant contributions to heritage counseling and student participation over the years include Virendra Sharma, Alpa Singh, Ritu Dadhich, Ruchi Rastogh, Preeti Jain, Vijay Sharma, Chandana Mehta, Bhag Mr. Jain and Shyamlal Khatik were honored with certificates and mementos. School competition incharge Guman Singh Pipada provided detailed information about INTACH's objectives, ongoing programs, and heritage conservation efforts. Program coordinator CA Dilip Goyal stated that the ceremony began with the honoring of chief guests District Judge Rajesh Jain and Advocate Mukesh Jain. INTACH members OP Hingad, Ratanlal Dargad, Abbas Ali Bohra, Mukesh Ajmera, Dinesh Arora, Sandeep Porwal, Anurag Lohiya, Omprakash Soni, Ramgopal Agarwal, Suresh Surana, Harak Lal Bishnoi, Rajiv Dadhich, and Bileshwar Dar also participated in the program, offering various suggestions and sharing their experiences with heritage conservation.

At the ceremony, everyone pledged to protect natural and cultural heritage. The public awareness campaign for protection will be strengthened further and the younger generation will be motivated in this direction.

https://jantaserishta.com/local/rajasthan/heritage-conservation-work-by-intach-is-wonderful-and-inspiring-district-judge-rajesh-jain-4359273, November 6, 2025

When Goa Tourism Development Corporation undertook the beautification of the Sateri temple in 2021, the work was completed in 2024. As part of the project, nine new stone sculptures were installed after removing the old ones. Instead of immersing the old idols in a river or tank, the villagers placed them under a banyan tree.

All nine idols are currently in the open, exposed to rain, sunlight, and humidity. A student of archaeology from Ibrampur recently came across a stone sculpture of Mahishasuramardini bearing the royal emblem of the Goa Kadambas. Vithoba Gawade, a postgraduate student of archaeology at Mumbai University, found the sculpture depicting a four-handed Mahishasuramardini with a lion—believed to be the Kadamba emblem—holding a trident, sword, and shield. When contacted by TOI, Shrikant Ganbir, a faculty member of Deccan College Post Graduate and Research Institute’s Department of Ancient Indian History, Culture and Archaeology, Pune, said, “It is a lion, the mount of the goddess, but in an unusual form.

It appears more like the royal emblem of the Goa Kadambas. This sculpture is very unique and needs to be preserved for posterity." Sainath Gawas, a member of the temple committee, said, “We are aware of the archaeological importance of these sculptures. The government should help us set up a small museum to display these rich assets of our archaeological heritage.

https://timesofindia.indiatimes.com/city/goa/forgotten-idols-at-pernem-temple-reveal-rare-kadamba-symbol/articleshowprint/125066377.cms, November 6, 2025

Lying in a state of neglect, monument is owned by Haryana Heritage and Tourism Department I Was built by Maratha commander Tatya Tope in 1755 CE. Mahendragarh Fort, originally known as Kanod Fort, will soon join the list of historical monuments protected under the Haryana Ancient and Historical Monuments and Archaeological Sites and Remains Act, 1964. According to a notification issued recently, the Governor has proposed to declare Mahendragarh Fort, located in the heart of Mahendragarh city, as a protected monument, recognising its significant archaeological, architectural and historical value.

Spread over 149 kanals and 2 marlas, the site is owned by the Haryana Heritage and Tourism. “Public suggestions or objections, if any, regarding the proposal may be submitted to the Principal Secretary, Heritage and Tourism Department, Government of Haryana, Chandigarh, within two months of the gazette publication. Thereafter, the proposal will be taken into consideration by the government," the notification states. The move is part of the state government’s ongoing efforts to preserve Haryana’s rich heritage and promote cultural tourism by safeguarding monuments of historical importance.

"The fort is at present in a neglected state, with tall grass covering much of the area and very few tourists visiting the site. It was last repaired over three years ago, and no maintenance work has been carried out since then. Once it is declared a protected site, the fort will be renovated and maintained by the Archaeology Department,” said a local official. Harendra Yadav, DGM (Tourism), said a total of 13 sites in Mahendragarh district are protected by the Archaeological Survey of India, while three are under the protection of the Haryana Department of Archaeology. “The process of declaring Mahendragarh Fort as a protected site has already been initiated, and a notification has been issued to invite public suggestions or objections in this regard," he added. The development has brought cheer to residents, who are hopeful that the historical fort will finally get a facelift after being declared a protected site. “The fort has been lying neglected for many years, though it has great potential to be developed as a tourist attraction. Many visitors who come to Narnaul from different parts of the country will also like to explore this site if it is restored and beautified. Renovation of the fort has become the need of the hour, and the authorities should ensure its preservation so that future generations can connect with the era in which it was built," said Pradeep Sharma, a resident. As per the government notification, the Mahendragarh Fort is a site of considerable historical importance. Constructed in 1755 CE by the renowned Maratha commander Tatya Tope, the fort stands as a testament to the expansion of Maratha influencer into Northern India during the mid-18th Century.

"In 1860, during the British Raj, the fort and its surrounding region were incorporated into the Patiala state. Subsequently, Maharaja Narendra Singh of Patiala renamed the fort of Mahendragarh in honour of his son, Mahendra Singh. This renaming extended beyond the fort to the town itself and the administrative unit, formally known as Narnaul Nizam, which was also renamed Mahendragarh Nizam,” states the notification. As per the notification, prior to the Maratha period, it is believed that Malik Mahadud Khan, an official of Emperor Babur, had established a settlement in the area during the early Mughal period, indicating the site’s earlier strategic and settlement value. The architecture of Mahendragarh Fort reflects a rich synthesis of Rajput, Mughal, and Maratha styles, showcasing the diverse culture and political influences that shaped the region over centuries.

https://www.tribuneindia.com/news/haryana/mahendragarh-fort-set-to-become-protected-site/, November 7, 2025

At the 43rd UNESCO General Conference in Uzbekistan (2025), Lucknow was declared a UNESCO Creative City of Gastronomy, celebrating its rich Awadhi cuisine, culinary heritage, and cultural diplomacy through food.

About UNESCO Creative Cities Network (UCCN):
What it is?
The UNESCO Creative Cities Network (UCCN) is a global platform of cities that use creativity and cultural industries as key drivers for sustainable urban development. Established in: 2004 by UNESCO to promote international cooperation among cities investing in culture and creativity as tools for inclusive growth.

Aim:
To strengthen collaboration among cities, foster cultural innovation, and integrate creativity in local development policies—supporting SDGs, especially Goal 11 (Sustainable Cities and Communities).

Key Features:
• Brings together 350+ cities worldwide from 7 creative fields — Gastronomy, Literature, Music, Film, Design, Crafts & Folk Arts, and Media Arts.

• Promotes cultural exchange, knowledge-sharing, and capacity-building among member cities.
• Encourages creative economy growth, sustainable tourism, and inclusive urban planning.

• Recognizes and protects intangible cultural heritage while aligning with UNESCO’s global cultural agenda.

• Cities commit to collaborative international projects and periodic progress reporting to maintain designation.
Indian Cities Recognized under UCCN:
City Field of Recognition Year
Jaipur Crafts and Folk Arts 2015
Varanasi Music 2015
Chennai Music 2017
Mumbai Film 2019
Hyderabad Gastronomy 2019
Srinagar Crafts and Folk Arts 2021
Kozhikode Literature 2023
Gwalior Music 2023
Lucknow Gastronomy 2025

https://www.insightsonindia.com/2025/11/03/unesco-creative-cities-network-uccn-3/, November 7, 2025

Khangchendzonga National Park in Sikkim stands out as the only Indian natural World Heritage Site rated "Good" by IUCN. Discover what makes it a global conservation success and what India can learn from it. In the latest global assessment by the International Union for Conservation of Nature (IUCN), Khangchendzonga National Park has earned a rare distinction: it is the only Indian natural World Heritage Site to receive a “Good” rating. This comes at a time when other Indian heritage sites like the Western Ghats, Sundarbans, and Manas Wildlife Sanctuary are listed with concerns or threats.

So what sets Khangchendzonga apart?

A Unique Heritage
Recognised by UNESCO in 2016 as India’s first “mixed” World Heritage Site, the park is celebrated not only for its breathtaking biodiversity but also for its deep cultural significance.

Covering 1,784 sq. km, the park stretches from dense subtropical forests to the summit of Mount Khangchendzonga (8,586 m), the third-highest peak in the world. It boasts:

280 glaciers and over 70 glacial lakes
Home to rare species such as the snow leopard, red panda, clouded leopard, and Himalayan tahr Habitat for over 550 bird species, including the impeyan pheasant and satyr tragopan A Sacred Landscape
For local communities, the park is much more than just wilderness, The Lepcha people call it Mayel Lyang – a hidden paradise gifted by their gods. Tibetan Buddhists regard it as a sacred beyul (hidden valley), and ancient monasteries like Tholung continue to preserve centuries-old spiritual traditions. This spiritual reverence has fostered a culture of natural respect and restraint, playing a vital role in conservation. Why the “Good” Rating? IUCN’s positive assessment of Khangchendzonga can be attributed to multiple factors, Low Human Impact: The park’s remote location limits urban or commercial pressure. Community Involvement: Forest rangers work in tandem with villagers to protect both biodiversity and livelihoods. Sustainable Development: Since its designation as a Biosphere Reserve in 2018, buffer zones allow sustainable farming and resource use.

Cross-Border Conservation: Cooperation with Nepal’s Kanchenjunga Conservation Area ensures protection beyond boundaries. Resilience Against Disasters: Even during the 2024 glacial lake outburst flood, damage was minimised due to preemptive hazard mapping. A Lesson for India Khangchendzonga is living proof that conservation and culture can go hand-in-hand.

At a time when many protected sites in India are battling encroachment, pollution, and resource exploitation, the park serves as a model of ecological harmony and resilience. Final Thought India, a land rich in biodiversity, needs to look at Khangchendzonga not just as a trophy but as a template for future conservation. With thoughtful planning, community engagement, and respect for tradition, other heritage sites can also aim for that coveted “Good” rating — and safeguard their legacy for generations to come. Did you know? Khangchendzonga is one of only 12 sites worldwide to be recognised as both natural and cultural heritage. It is part of the Eastern Himalayas, a biodiversity hotspot home to over 10,000 plant species.

https://currentaffairs.adda247.com/why-is-khangchendzonga-indias-only-good-rated-heritage-site/, November 7, 2025

A captivating presentation on the coinage of the Western Ganga dynasty marked Day 2 of the World Heritage Week organised by the Mangaluru Chapter of the Indian National Trust for Art and Cultural Heritage (INTACH), in association with Art Kanara Trust. The talk and coin collection showcase, titled “Marked by History: The Western Ganga Dynasty Coins,” was delivered by noted numismatist M. Prashanth Shet of S.L. Shet Jewellers and Diamond House, on Thursday, November 20, at 5:30 p.m. at the Kodial Guthu Centre for Art and Culture.

The Western Ganga dynasty ruled for nearly 650 years, from around 350 to 999 AD, governing large parts of southern Karnataka and regions of present-day Andhra Pradesh, with their capitals at Kolar in the early period and later at Talakad. In his lecture, Mr. Shet shared his early fascination with coins. “I began coin collecting at the age of five. I was drawn to coins featuring symbols of gods, animals, birds and royal motifs. Elephants particularly fascinated me, especially when they appeared on coins,” he said. What began with a single Western Ganga coin, he noted, has now grown into the largest known collection of Western Ganga coinage in the world.

"Except for ten varieties, I have every known coin minted under the Western Gangas,” he added. Through an engaging narration, Mr. Shet elaborated on the evolution of figures and symbols found on Western Ganga coinage over the centuries, supported by a display of select pieces from his personal collection. Emphasising the value of heritage-oriented hobbies, he remarked, “This is my dedication to the future generation. I will make it available for further study, research or any other meaningful work. Everyone should have a hobby that contributes to society.” The presentation concluded with an interactive discussion on identifying authentic ancient coins, nurturing young collectors and the auction landscape in India. INTACH Life Member Deekshith R. Pai gave the introductory address and anchored the programme. The speaker was felicitated at the end of the session.

https://www.mangalorean.com/intach-mangaluru-hosts-talk-on-western-ganga-dynasty-coins-by-numismatist-prashanth-shet/, November 10, 2025

The Mangaluru chapter INTACH, in association with Art Kanara Trust, will observe World Heritage Week at the Kodialguthu Centre for Art and Culture from Wednesday to Nov 25. The week-long programme will feature talks, workshops, demonstrations, and an exhibition highlighting the region's art and cultural heritage. World Heritage Week will commence at 5.30 pm on Wednesday, with a talk titled ‘Tulu Bhashe Bokka Baduku' by Ganesh Amin Sankamar, author and Tulu scholar, focusing on Tulu language and culture. At 5.30pm on Thursday, numismatic collector M Prashanth Shet of SL Shet Jewellers and Diamond House will present ‘Marked by History: The Western Ganga Dynasty Coins'. At 5.30pm on Friday, Yakshagana artiste and PhD scholar Shruti Bangera will speak on ‘Streevesha in Yakshagana: Female Impersonation Tradition in Indian Performing Arts'.

At 5.30pm on Nov 22, the art exhibition ‘Namma Ooru Namma Nela' will open in the presence of Tharanath Gatti Kapikad, chairman, Karnataka Tulu Sahitya Academy. Participating artistes include Harish Kodialbail, Janardhan Havanje, Jeevan Salian, Reshma S Shetty, Santhosh Andrade, Santhosh Pai, Shilpa Bhat, Umesh VM, Vishwas M, and Wilson Souza. The exhibition, comprising paintings, drawings, and installation art, will remain open till Nov 29, between 11am and 7pm. A full-day traditional crafts programme by traditional artisans will be held from 10am on Nov 23.

It will feature a basket-weaving workshop by Babu Koraga Kadtala and Ammi Koraga Kadtala, and a demonstration of traditional Kadegol making by Sadananda Gudiga Keruwashe and Prashant Gudiga Keruwashe. On Nov 24, from 10am, a basket-weaving workshop for schoolchildren will be held at BEM High School, Car Street, led by Guruamma, traditional artisan. World Heritage Week will conclude at 5.30pm on Nov 25, with the screening of the 2023 documentary ‘The Word and The Teacher: Journey of Ferdinand Kittel as a Lexicographer', presented by filmmaker Prashant Pandit.

https://timesofindia.indiatimes.com/city/mangaluru/intach-to-observe-world-heritage-week-2025-from-nov-19/articleshowprint/125416626.cms, November 11, 2025

The Patna chapter of the Indian National Trust for Art and Cultural Heritage (Intach) is organising a three-day art exhibition, ‘Arghya’, centred on Patna’s Chhath festival at the Lalit Kala Academy’s art gallery from Nov 28 to 30. Bihar Museum’s director general Anjani Kumar Singh will inaugurate the exhibition. Intach convener Bhairab Lal Das said the exhibition would display the work of 53 eminent artists, including Madhubani paintings, Manjusha, Tikuli, Bhojpuri art, Patna Kalam, Sujni art, terracotta, cross-stitch embroidery, Baidyanath paintings and photography. Intach chairman Ashok Singh Thakur, Karl Zankal from the University of Applied Sciences, Germany, and Ajay Khare from the School of Planning and Architecture, Bhopal, will attend the event and interact with the audience.

Intach co-convener Shiv Kumar Mishra said the exhibition is part of the organisation’s ongoing effort to secure Unesco Intangible Cultural Heritage status for the popular Chhath festival. The state art and culture department has nominated Intach as its knowledge partner, responsible for assisting in the preparation of the dossier.

All relevant material related to Chhath, including sculptures, paintings, writings, folk songs and photographs, is being collected for inclusion in the proposed dossier to be sent to Unesco, Mishra added. Madhubani Art Centre, New Delhi, and Lovely Creations, Patna, are extending support for the successful organisation of the exhibition. Noted artists Alka Das and Manisha Jha are the joint curators of the event.

https://timesofindia.indiatimes.com/articleshowprint/125563487.cms, November 12, 2025

The Indian National Trust for Art and Cultural Heritage (INTACH) is proud to announce the launch of Project Gaja-Lok: Elephant Lands and their Cultural Symbolism in Asia, a pioneering transnational initiative. This culture-nature programme is dedicated to documenting and exploring the profound connections surrounding the Asian elephant, highlighting intertwined narratives of culture, history, ecology, and climate resilience across the continent.

Project Gaja-Lok will officially commence with a public Exhibition from 19th to 25th November 2025 and a Roundtable on 20th November 2025 at INTACH, New Delhi. These events, organized by the Intangible Cultural Heritage (ICH) Division, will bring together academicians, cultural experts, and conservationists to initiate a multi-country dialogue, positioning the elephant as both a revered cultural icon and a living emblem of ecological resilience. For millennia, elephants have walked alongside humans, shaping art, spirituality, and daily life across Asia.

From the verses of the Arthaśāstra to the spiritual symbolism of Buddhist and Jain traditions, and from the royal courts of India to temples across Southeast Asia, they have endured as symbols of power, wisdom, and cosmic harmony. The Gaja-Lok Exhibition traces this magnificent journey, showcasing the elephant's role through artifacts ranging from ancient Indus Valley seals and Bharhut railings to the majestic statues of Konark Temple. The displays reveal how elephants have shaped the spiritual, artistic, and political life of civilizations. The Gaja-Lok Roundtable (Nov 20) will foster collaborative research by addressing critical themes: human-elephant interactions through history, contemporary ecological challenges, the ethics of coexistence, and the future of cross-border heritage collaboration. Gaja-Lok is more than a cultural programme; it is a reminder that the story of elephants is inseparable from our own.

This initiative bridges past and future, art and environment, inspiring a shared commitment to conservation and cultural heritage. Project Gaja-Lok aims to honour one of Asia's most enduring relationships: the sacred bond between humans and elephants. The Indian National Trust for Art and Cultural Heritage (INTACH) is a non-profit organization dedicated to conservation and preservation of India's natural, cultural, living, tangible, and intangible heritage. To mark the occasion, INTACH is also organising a series of talks from 19-25th November by noted authority on the Asian elephant, Prof Raman Sukumar (20th November), Mr Vivek Menon, Chair of the Species Survival Commission, IUCN and Co-Founder of WTI (21st November), Prof Pratyay Nath (19th November), and Dr Archana Shastri (25th November).

https://www.pib.gov.in/PressReleasePage.aspx?PRID=2191505, November 13, 2025

Mizoram’s Art & Culture Minister C. Lalsawivunga today inaugurated the Indian National Trust for Art and Cultural Heritage (INTACH) Lunglei Chapter the second INTACH chapter in the state at the Lunglei Convention Centre. In his address, the Minister expressed appreciation for the launch of the chapter, noting its importance in preserving the cultural heritage, traditions and historical sites of Lunglei District and southern Mizoram.

He highlighted INTACH’s contribution to safeguarding the 81 State Protected Monuments notified under the Mizoram Ancient Monuments and Archaeological Sites & Remains Act, 2001, and recalled its role in elevating Kawtchhuah Ropui, Ralven Puk and Lungphun Ropui to the status of Monuments of National Importance under the Archaeological Survey of India. C. Lalsawivunga also emphasised the State Government’s initiatives under the Chief Minister’s leadership to trace the historical roots of the Mizo people through the newly constituted ‘Hnam Ṭobul Zawn Chhuah’ Committee. He urged the INTACH Lunglei Chapter to work closely with the government in protecting heritage sites and promoting Mizo cultural values among younger generations.

INTACH Lunglei Chapter Convener Rev. Dr F. Sangvela delivered the welcome address, while INTACH Mizoram Chapter Member Secretary Lalramthanga also spoke during the programme. Chapter Secretary JC Vanlal Hmuaka presented a report outlining the establishment process and the chapter’s future plans, noting that it currently has 40 members. The event was attended by Lunglei West MLA T. Lalhlimpuia, officials and members of INTACH Mizoram and Lunglei Chapters, government officials, and students from Government Leitlangpui High School and Government Electric Veng High School. Cultural performances were presented by the Mizo Cultural Artists’ Association (MCAA) Sub-Headquarters, Lunglei. Executive Committee Member C. Lalhmingmuana proposed the vote of thanks.

Office Bearers of the INTACH Lunglei Chapter:
Convener: Rev. Dr F. Sangvela
Co-Convener: K. Lalsanga
Secretary: JC Vanlal Hmuaka
Treasurer: ZH Ropuia
Attachment

https://northeasttoday.in/northeast/mizoram-art-culture-minister-inaugurates-intach-lunglei-chapter/, November 14, 2025

The competition aimed to deepen environmental and cultural awareness among young learners by encouraging them to explore and appreciate Kashmir’s natural heritage. INTACH Kashmir Chapter organised a poster-making competition titled “Tree of Life” at Government Boys Higher Secondary School, Soura. The event, centred on the indigenous trees of Kashmir, was held under the nationwide heritage education initiative of INTACH’s Heritage Education and Communication Service (HECS), New Delhi. Students from classes 7 to 9 across government schools in the Soura cluster participated with great enthusiasm. The competition aimed to deepen environmental and cultural awareness among young learners by encouraging them to explore and appreciate Kashmir’s natural heritage. Participants created posters portraying indigenous tree species and their vital connection to human life. Several entries carried strong messages on nature conservation, each accompanied by a compelling slogan and a brief explanatory note. Organisers said the “Tree of Life” theme, a symbol recognised across cultures for growth, strength, interdependence and renewal, offered students a meaningful framework to express the delicate balance between humans and nature. Beyond artistic creativity, the event aimed to inspire students to observe their environment more closely, understand the importance of biodiversity and articulate the human–nature relationship. Many entries reflected sincere concern for ecological preservation. All posters will now be sent to INTACH’s HECS Division in New Delhi for national-level evaluation. From thousands of submissions across India, 100 regional winners and 10 national winners will be chosen, with prizes and trophies to be awarded. INTACH Kashmir expressed gratitude to the Principal and staff of Government Boys Higher Secondary School, Soura, for their support. The presence of the Convener and Co-Convener of INTACH Kashmir also ensured the smooth conduct of the programme.

https://www.greaterkashmir.com/kashmir/intach-kashmir-organises-poster-making-competition-on-indigenous-trees/, November 15, 2025

The third day of the World Heritage Week celebrations organised by the Mangaluru Chapter of the Indian National Trust for Art and Cultural Heritage (INTACH), in association with Art Kanara Trust, featured a compelling talk on the tradition of female impersonation in Yakshagana. Titled “Streevesha in Yakshagana: Female Impersonation Tradition in Indian Performing Arts,” the session was delivered by artiste and PhD scholar Shruti Bangera on Thursday, November 21, at 5:30 p.m. at the Kodial Guthu Centre for Art and Culture.

In her presentation, Shruti Bangera traced the historical roots of men performing female roles in Indian performing arts. “Indian history reflects a longstanding tradition of male artists enacting female characters, arising from social, religious and cultural restrictions on women performing publicly,” she explained.

“Theatrical forms such as Kathakali, Kuchipudi, Yakshagana and Jatra historically restricted women’s stage presence, necessitating men to assume female roles and represent womanhood on stage.” Ms. Bangera highlighted the social and psychological challenges faced by streevesha performers, often subjected to stereotyping and labelling by both audiences and fellow artistes. Drawing from historical sources, literature, and her own experiences, she elaborated on the physical and mental transformations artists undergo to authentically portray female characters in Yakshagana.

The session concluded with an interactive discussion covering women’s entry into Yakshagana, comparisons between the Thenkuthittu and Badaguthittu forms, the importance of developing an indigenous perspective to assess the art form, and parallels between Yakshagana and other traditional storytelling arts such as Kathakali. INTACH Life Member Deekshith R. Pai introduced the speaker and anchored the programme. Ms. Bangera was felicitated at the end of the session.

https://www.mangaloretoday.com/main/INTACH-Mangaluru-explores-female-impersonation-tradition-in-Yakshagana-with-artiste-Shruti-Bangera.html, November 16, 2025

The Indian National Trust for Art and Cultural Heritage (INTACH) conducted a state-level cultural heritage quiz at Army Public School, Beas, on Friday to engage students with India’s rich cultural legacy. Maj Gen Balwinder Singh, INTACH Punjab State Convener, highlighted that the annual quiz aims to instil awareness of cultural heritage among the younger generation. He added that the top-performing team at the state level will represent Punjab in the national-level competition in Delhi. Over the past two years, Spring Dale Public School, Amritsar, has consistently won the national trophy.

This year, students from 11 districts of Punjab participated: Amritsar, Tarn Taran, Ferozepur, Sangrur, Faridkot, Hoshiarpur, Bathinda, Malerkotla, Patiala, Jalandhar, and Kapurthala. The competition follows a three-stage format. At the school level, teams from classes 7 to 10 are selected by their respective schools. The district-level round involves written and oral rounds conducted by INTACH district conveners, generally with 10 to 15 participating schools. The top teams from each district then compete at the state level, facing rigorous questions on built heritage, Indian personalities, heritage at risk, natural heritage, living heritage, Punjab-related heritage, and INTACH initiatives.

The district-level top schools this year included Guru Nanak Dev Academy, Tarn Taran; MGN Public School, Kapurthala; DCM International School, Kotkapura; Silver Oak School, Bathinda; Alfalah Public School, Malerkotla; Spring Dale Senior School, Amritsar; Dass and Brown World School, Ferozepur; British Co-ed High School, Patiala; Guru Gobind Singh Public School, Nainowal Vaid, Hoshiarpur; Gen Gurnam Singh Public School, Sangrur; and AI International School, Nakodar. At the state-level quiz, Spring Dale students Sehajnoor Kaur and Saurish Nagpal emerged winners and will represent Punjab at the national competition in Delhi in December. MGN Public School, Kapurthala students Charuvrat Bains and Arshiya secured second place, while Gen Gurnam Singh Public School, Sangrur students Mehtab Sidhu and Arpan Kansal finished third.

https://www.tribuneindia.com/news/jalandhar/intach-hosts-quiz-on-culture-heritage/, November 17, 2025

The INTACH (Indian National Trust for Art and Cultural Heritage) Ranga Reddy District Chapter was inaugurated at JBR Architecture College, Moinabad, under the theme ‘Preserving the Past and Inspiring the Future.’ Chief guest Ashok Singh Thakur, INTACH Chairman, urged youth to actively protect India’s heritage. Guests of honour included Sajjad Shahid, Prof Arjun Rao Kuthadi and Dr Mangari Rajender. The event was presided over by Er Veda Kumar Manikonda and Prof Ar J Gayatri, convenor of the district chapter.

Prof Gayatri outlined a year-long plan to engage the community through heritage walks and educational initiatives. Er Veda Kumar Manikonda emphasised expanding INTACH’s activities across Telangana, Andhra Pradesh and Maharashtra through collaboration. Prof Ar G Sunil Kumar, co-convenor, proposed the vote of thanks, appreciating all dignitaries, faculty, students, and members for supporting heritage conservation. The launch marks a major step in safeguarding and celebrating Ranga Reddy’s rich cultural and archaeological legacy.

https://www.thehansindia.com/news/cities/hyderabad/intach-ranga-reddy-chapter-launched-to-preserve-cultural-heritage-1024239, November 18, 2025

The Mangaluru Chapter of the Indian National Trust for Art and Cultural Heritage (INTACH) and Art Kanara Trust will celebrate World Heritage Week from November 19 to 25 in Mangaluru. The week-long programme will feature talks, workshops, demonstrations, and an exhibition highlighting the region’s art and cultural heritage at the Kodialguthu Centre for Art and Culture, Ballalbagh. Author and Tulu scholar Ganesh Amin Sankamar’s talk ‘Tulu Bhashe Bokka Baduk’ focusing on the Tulu language and culture marks the beginning of the celebrations at 5.30 p.m. on Wednesday, November 19. On Thursday, November 20, numismatic collector M. Prashanth Shet of S.L.

Shet Jewellers and Diamond House will present an exhibition titled ‘Marked by History: The Western Ganga Dynasty Coin’ at 5.30 p.m. Yakshagana artist and PhD scholar Shruti Bangera will speak on ‘Streevesha in Yakshagana: Female Impersonation Tradition in Indian Performing Arts’ at 5.30 p.m. on Friday, November 21. On Saturday, November 22, at 5.30 p.m, an art exhibition titled ‘Namma Ooru Namma Nela’ will open in the presence of Taranath Gatti Kapikad, president of Karnataka Tulu Sahitya Academy. Participating artists include Harish Kodialbail, Janardhan Havanje, Jeevan Salian, Reshma S. Shetty, Santhosh Andrade, Santhosh Pai, Shilpa Bhat, V.M. Umesh, M. Vishwas, and Wilson Souza.

The exhibition, comprising paintings, drawings, and installation art, will remain open till November 29, from 11 a.m. to 7 p.m. A full-day traditional crafts programme by traditional artisans will be held on Sunday, November 23, from 10 a.m. to 5 p.m. A basket-weaving workshop will be led by Babu Koraga Kadtala and Ammi Koraga Kadtala. Sadananda Gudiga Keruwashe and Prashant Gudiga Keruwashe will demonstrate how to make the traditional Kadegolu. On Monday, November 24, from 10 a.m. to 4 p.m., a basket-weaving workshop for school children will be led by Guruamma, a traditional artisan, at BEM High School, Car Street. World Heritage Week will conclude on Tuesday, November 25, at 5.30 p.m, with the screening of an 80-minute documentary ‘The Word and The Teacher: Journey of Ferdinand Kittel as a Lexicographer’ (2023), presented by filmmaker Prashant Pandit.

https://www.thehindu.com/news/cities/Mangalore/intach-and-art-kanara-trust-to-celebrate-world-heritage-week-from-november-19/article70294750.ece, November 19, 2025

Imagine digging into a quiet village field and finding signs of a whole city that existed more than 2,000 years ago. That’s what happened in Keeladi — a small village near Madurai that is now rewriting what we know about ancient Tamil civilisation. Keeladi (also spelt Keezhadi) is a small village about 12 km south-east of Madurai, located along the banks of the Vaigai River in Tamil Nadu’s Sivaganga district.

Beneath what was once a quiet coconut grove, archaeologists uncovered traces of a thriving urban settlement that existed over 2,000 years ago — around the Sangam Age. The site has since become one of India’s most remarkable archaeological discoveries, offering a new window into Tamil civilisation’s ancient past.

How did the discovery begin?
The story of Keeladi’s excavation began in 2014 when archaeologist Amarnath Ramakrishna, then with the Archaeological Survey of India (ASI), started digging at the site. It was one among over a hundred locations identified along the Vaigai River, but Keeladi soon stood out for its rich findings. Within just a few years, over 7,500 artefacts were unearthed — including brick walls, wells, drainage channels, pottery with early Tamil-Brahmi inscriptions, beads, coins, and terracotta objects. Later excavations pushed the number of discovered items to more than 15,000 artefacts.

What the findings reveal?
Carbon dating shows that the remains date back to between 580 BCE and the 2nd Century, suggesting a literate and urbanised society flourished here long before many other known civilisations. The well-planned layout, drainage system, and distinct work areas indicate skills in trade, crafts, and writing. Brick structures aligned with the cardinal directions, pottery shards with inscriptions, and graffiti of the sun and moon reveal literacy and interest in astronomy. Even small items, like an ivory dice, point to a society that valued leisure and sophistication.

The treasures unearthed
As excavators dug deeper into Keeladi, layer by layer, they uncovered a treasure trove of ancient life. More than 15,000 artefacts have been found so far, each telling a story of how people lived, worked, and created nearly 2000 years ago. Archaeologists discovered brick houses, terracotta ring wells, roofing tiles and drainage channels evidence of a well-planned urban settlement. The structures were built with durable materials containing silica and lime which helped them survive centuries beneath the Earth. The artefacts include gold ornaments, copper and iron tools, ear omaments, beads made of glass and semi-precious stones, and terracotta figurines. Leisure and sophistication were also part of daily life, reflected in pieces of gamesmen, hopscotch boards, and an ivory dice that hints at an elite class.

Pottery was among the most striking finds beautifully made Black and Red ware, Rouletted ware. Some pottery even bore graffiti of the sun and moon, revealing the inhabitants interest in astronomy. Animal remains tell another story: bones of cows, buffaloes, goats, and wild animals like blackbuck and boar show that the community practised agriculture and cattle rearing, while also hunting. Together, these discoveries paint a vivid picture of a thriving society that valued planning, learning, trade, art, and knowledge. Each find helps piece together the cultural richness of the civilisation.

Science behind the dig
How do archaeologists know how old Keeladi really is? The answer lies in science. To uncover the timeline of this buried city, experts used carbon dating, a method that measures how much carbon remains in organic materials like charcoal or animal bones. The results revealed that some of Keeladi’s artefacts date back to as early as 580 BCE, placing the site firmly in the Sangam Age. Scientists also used Accelerator Mass Spectrometry (AMS), a precise technique that helps determine the exact age of ancient objects. The samples were tested in advanced laboratories across India, and the findings were carefully reviewed by teams of archaeologists and historians. Beyond dating, researchers examined the composition of materials - such as bricks, lime mortar, and roofing tiles to understand the construction methods used.

Studies conducted at the Vellore Institute of Technology found that the bricks were rich in silica and lime, explaining why they’ve remained strong even after more than two millennia. Even the pottery and artefacts were closely studied. The patterns, inscriptions, and clay types were compared with those found in other ancient sites to trace cultural connections and trade links. Through this mix of archaeology and science, Keeladi’s past is being slowly pieced together-proving that careful research, not just digging, helps us truly understand how ancient civilisations once lived and thrived.

Keeladi’s legacy
Keeladi stands today as more than just an archaeological site it’s a window into Tamil Nadu’s ancient soul. It shows us that the people of Keeladi were thinkers, builders, and creators who valued knowledge, community, and progress. While the findings have also sparked political debates over interpretation and ownership, what remains most important is the shared pride in uncovering such a remarkable chapter of India’s heritage. For students and history lovers, Keeladi offers more than ancient artefacts - it tells a story of innovation, resilience, and identity. Like a real-life treasure hunt, archaeology helps us uncover the secrets of the past - do you think you could study archaeology one day?

https://www.thehindu.com/children/unearthing-keeladi-the-ancient-tamil-city-beneath-the-fields/article70175107.ece, November 20, 2025

Students from the department of ancient history and archaeology, University of Madras, unearthed stone tools that may belong to the Middle Palaeolithic period at Arunachaleswarar hill (also known as Adiannamalai) in Tiruvannamalai. The department said that the explorations led to the discovery of artefacts, including hand-axes, cleavers, bifacial choppers, scrapers, cores, flakes, and microlithic tools. "These implements were fashioned primarily from quartz, along with other materials such as quartzite and charnockite.

Based on their typological and technological features, the tools belong to the Middle Palaeolithic and Microlithic phases," said Jinu Koshy, excavation in-charge, department of ancient history and archaeology, University of Madras. A team of students, including N Thilagarajan found, the stone artefacts during their exploration. J Soundararajan, associate professor and head of the department of ancient history and archaeology, said, "This is the first confirmed evidence for Middle Palaeolithic and Microlithic period human occupation in Tiruvannamalai district."

According to archaeological studies, the Middle Palaeolithic period in Tamil Nadu dates to around 385,000 years ago, and these artefacts from Arunachaleswarar hill may belong to a similar period. The presence of microlithic tools typically used between 45,000 years and 5,000 years ago indicates continuous human occupation in the area," the department said. "The uniqueness of these tools is that they were made from quartz, which is very difficult. This could be an early phase of the Middle Palaeolithic period as we found hand-axes and cleavers," Jinu Koshy said.

"Further exploration of the area will provide more evidence documenting the prehistoric period in the state," he added. However, archaeological experts said they need more stone tools to clearly define that these stone tools belonged to the Middle Palaeolithic period. "The forms of some of the tools are not clear. We need convincing tools to accept that these tools belong to the Middle Palaeolithic period," an archaeologist said on condition of anonymity.

https://timesofindia.indiatimes.com/city/chennai/mu-students-unearth-stone-tools-from-middle-palaeolithic-period/articleshowprint/125039986.cms, November 21, 2025

Two Megalithic Menhirs dating back to the late phase of the Iron Age have been discovered in Kundapura, Udupi district, during recent archaeological explorations by the Adima Kala Trust (R.). The finds were made at Hilkod, located on the Neralekatte–Ajri road, and at Mavinakere in Kenchanur village. The discovery was announced by archaeologist and Trust founder Prof. T. Murugeshi in a press release issued on Thursday. The menhir at Mavinakere measures approximately 112 cm in height and is slightly inclined towards the northwest.

The stone discovered in Hilkod stands 135 cm tall. A small exploratory trench dug at the base of the Hilkod menhir revealed crushed red and cream pottery fragments, believed to be from a later period. Menhirs, locally known as Nilskal, are free-standing commemorative stones ranging from three to sixteen feet in height. Such monuments are common across South India and are traditionally associated with megalithic burials. Communities in the region continue to revere these stones, often identifying them with local guardian deities such as Bhootappa, Chowdi, Bobbarya, Pili Chamundi and others.

According to Prof. Murugeshi, both structures from Hilkod and Mavinakere likely belong to the final stage of the Megalithic era in the Kundapura region. Comparative studies link the earliest known menhir group in nearby Nagara of Hosanagara taluk to around 800 BCE.

https://www.thehansindia.com/karnataka/two-megalithic-menhirs-unearthed-in-kundapura-indicating-late-phase-of-iron-age-culture-1025444, November 24, 2025

India’s architectural heritage is truly remarkable. From ancient temples to grand palaces, the country is home to numerous impressive structures from diverse cultures. Some of these buildings are over 500 years old and have withstood the test of time. Take a look at some of the most exemplary monuments, pleasing visitors with their iconic appearance even today:

Hampi, Karnataka
Hampi was once the capital of the Vijayanagara Empire and is now one of India’s most fascinating archaeological sites, recognized as a UNESCO World Heritage Site. Dating back to the early 14th century, Hampi’s ruins cover more than 4,000 hectares and include beautifully carved temples, palaces, and markets. Highlights such as the Virupaksha Temple, the Vittala Temple with its famous stone chariot, and the Lotus Mahal showcase Dravidian architecture at its finest. Even after centuries of change, Hampi offers a glimpse into South India’s rich history of art, trade, and spirituality.

Agra Fort, Uttar Pradesh
Agra Fort, built by Emperor Akbar in 1565 CE, is one of the most important monuments from the Mughal era. While it is over 450 years old, some parts are even older, dating back more than 500 years. The fort served as the main residence of the Mughal emperors until 1638. Made mostly of red sandstone, its huge walls surround beautiful palaces such as the Jahangiri Mahal, Diwan-i-Khas, and Musamman Burj, where Shah Jahan, who built the Taj Mahal, was held by his son, Aurangzeb. The fort’s mix of Hindu and Persian styles shows the cultural blend of the Mughal period.

Meenakshi Amman Temple, Tamil Nadu
The Meenakshi Amman Temple in Madurai is one of India’s most famous architectural wonders. While its history goes back more than 2,000 years, most of what we see today was rebuilt and expanded in the 16th century during the Nayak dynasty, over 500 years ago. The temple is dedicated to Goddess Meenakshi (a form of Parvati) and Lord Sundareswarar (Shiva). It is known for its tall gateway towers, called gopurams, which are adorned with thousands of colourful sculptures depicting gods, animals, and mythological stories. The temple’s wide corridors and sacred tank, Porthamarai Kulam, make it a vibrant centre of Dravidian art and worship.

Chittorgarh Fort, Rajasthan
Chittorgarh Fort in Rajasthan is a symbol of Rajput bravery and pride, and is one of India’s oldest and largest forts. Its foundation was laid in the 7th century, but many of its most famous buildings, like the Vijay Stambh (Tower of Victory), built in 1448 CE and the Kirti Stambh (Tower of Fame), are over 500 years old. Covering 700 acres, Chittorgarh is full of stories about courage, sacrifice, and strength. The fort faced several sieges, including attacks by Alauddin Khilji and Akbar, and still stands as a proud symbol of Rajputana’s spirit.

Konark Sun Temple, Odisha
The Konark Sun Temple, built in the 13th century (around 1250 CE) by King Narasimhadeva I of the Eastern Ganga dynasty, is a stunning example of Kalinga architecture. Designed to resemble a giant stone chariot for the Sun God, the temple once featured 24 carved wheels and seven stone horses, representing the Sun’s journey across the sky. Although some parts of the temple have been damaged over the years, its detailed carvings and precise design continue to impress historians and architects worldwide. As a UNESCO World Heritage Site, Konark shows India’s ancient skill in science and art.

https://indianexpress.com/article/lifestyle/destination-of-the-week/these-5-monuments-in-india-are-over-500-years-old-10361478/, November 28, 2025