Heritage Alerts July 2025
Dr Jyotsna Singh, director of the Amar Mahal Museum & Library today was appointed as a member of the Heritage Craft and Community Division (HCCD) advisory committee by the Indian National Trust for Art and Cultural Heritage (INTACH). Daughter of Dr Karan Singh, former Sadr-e-Riyasat of Jammu and Kashmir, Dr Jyotsna is a noted cultural activist and heritage conservationist. She is also the founder of the much-acclaimed Tawi Festival, which celebrates the diverse cultural traditions of the region. The appointment was confirmed through an official communication from INTACH, stating that the HCCD Advisory Committee has been reconstituted as of May 7, 2025. Dr Singh’s inclusion in this prestigious committee reflects her longstanding contributions to the promotion and preservation of art, culture and heritage in Jammu & Kashmir and beyond. As a member of the HCCD Advisory Committee, Dr Singh will play a key role in offering expert guidance and advice towards strengthening INTACH’s initiatives focused on heritage crafts and community engagement across India.
https://www.dailyexcelsior.com/dr-jyotsna-appointed-member-of-intachs-hccd-advisory-committee/, July 1, 2025
The major problem was the roofing of the wooden structure, said Pankaj Modi from Indian National Trust for Art and Cultural Heritage (INTACH), who is part of the committee. The Lalbagh bandstand, last renovated in 2004, has been dismantled after suffering irreversible damage over the years. An expert committee was formed to oversee the restoration. The work is expected to be completed by mid-August. The major problem was the roofing of the wooden structure, said Pankaj Modi from Indian National Trust for Art and Cultural Heritage (INTACH), who is part of the committee. The committee also comprises members from the Horticulture Department, Institute of Wood Science and Technology (IWST), Karnataka Shilpakala Academy, and Public Works Department (PWD). The rafters were in terrible condition. “The structural members at some places had leaned out or broken,” said Modi. Some of the wood pieces were weakened by water ingress.
However, the foundation is intact, he reveals The IWST will analyse the pieces of wood and determine which can be reused and what kind of wood was used in the last renovation, carried out by Bangalore Development Authority (BDA), said Balakrishna, deputy director of horticulture department (Lalbagh). The current committee held a series of meetings to arrive at whether a complete restoration was required. and Kannada songs. “It was built earlier than the Glass House.
The first flower show was hosted around the bandstand,” shared art curator Suresh Jayaram, whose book ‘Bangalore’s Lalbagh: A Chronicle of the Garden and the City’ examines the history and significance of the garden. “The structure had been supported by scaffolding for a while. I think it is important to stick to the original design and use good-quality wood. Wood is bound to decay but now there are chemical treatments to make wood waterproof,” Jayaram explained.
https://www.deccanherald.com/india/karnataka/bengaluru/bengalurus-heritage-lalbagh-bandstand-to-be-restored-by-mid-august-3614995, July 3, 2025
DNA from Kondagai urns is now being analysed with Harvard University to trace genetic ancestry and migration patterns. Two men who lived over 2,500 years ago in Tamil Nadu’s Keeladi region now have faces, thanks to a first-of-its-kind forensic facial reconstruction effort led by researchers from Madurai Kamaraj University and Liverpool John Moores University. The skulls, excavated from the Kondagai burial site, about 800 metres from the main Keeladi dig, were digitally scanned and reconstructed using CT imagery.
While the upper portions were rebuilt with anatomical accuracy, the lower halves—missing their jaws—were estimated using orthodontic standards. “These are predominantly South Indian faces with some West Eurasian and Austro-Asiatic features,” Prof G Kumaresan of Madurai Kamaraj University said, as per Times of India.
He described the process as “80 per cent science and 20 per cent art”. Tissue depth data from modern South Indians was used to digitally recreate muscle, skin and fat, and a photographic database helped assign skin, hair and eye colour. Professor Caroline Wilkinson from Liverpool’s Face Lab said clinical imaging guidelines and forensic standards were followed. “We used cranial measurements to estimate mandible shapes,” she said. Keeladi, long at the centre of debate over its antiquity, has yielded 29 radiocarbon dates ranging from the 6th century BCE to the 2nd century CE. While the Tamil Nadu state archaeology department supports the earlier timeline, the ASI recently asked its archaeologist to revise findings. DNA from Kondagai urns is now being analysed with Harvard University to trace genetic ancestry and migration patterns. Preliminary studies suggest the skeletal remains, mostly of individuals aged around 50, had average male and female heights of 170.82 cm and 157.74 cm, respectively. “This is the first time we’ve attempted facial reconstruction in South India,” said K Rajan, advisor to the Tamil Nadu archaeology department. The past, quite literally, has a face now.
https://www.deccanherald.com/india/tamil-nadu/faces-from-keeladi-2500-year-old-skulls-reconstructed-3608462, July 4, 2025
The Amritsar chapter of INTACH organised an inspiring lecture titled “Guru Nanak: An Embodiment of Oneness” at Virsa Vihar, delivered by globally acclaimed author and historian Amardeep Singh. The event saw enthusiasts, scholars and school students getting an insight into Amardeep’s impressive body of work on Guru Nanak’s spiritual journey across the sub-continent and universal philosophy of Eka (Oneness). Amardeep Singh is the man behind a 24-episode docu-series titled, “Allegory: A Tapestry of Guru Nanak’s Travels”. The series documents the extensive journeys of Guru Nanak, the founder of Sikhism, across nine countries and numerous multi-faith sites during the 16th century. The docu-series aims to showcase the universal message of peace and fellowship that Guru Nanak spread during his travels. Following it up with pictorial books and verses that chronicle and archive significant Sikh religious and historic places, mapping across sub-continent, Amandeep Singh shared his initiation into his documentation.
Amardeep Singh, joined by his wife Vaninder Kaur, was recognised for their 16-year journey producing five impactful documentaries at significant personal expense. “My purpose was to challenge the notion that Sikh traditions and identity should be confined to Punjab, highlighting the presence of Nanak Panth and Sikh Panth followers across India, many of whom may have never visited Punjab,” said Amardeep. He stressed upon the need to unite these communities under Guru Nanak’s universal principle of Eka. His docu-series, said Amardeep, addresses the fact that Guru Nanak’s travels were initially documented through oral narratives and later in Janamsakhis (historical accounts), and how some of these sites have become inaccessible or forgotten due to divisions and geographical changes. Bibi Inderjeet Kaur, president of Pingalwara, was the chief guest on the occasion while noted theatre personality Kewal Dhaliwal attended as the special guest.
INTACH convener Gagandeep Singh Virk emphasised the event’s goal of reviving Amritsar’s literary culture. “The work, focused on preserving and sharing Guru Nanak Dev’s enlightening journey and its impact on several communities across the world, is a study that we must all undergo. Amardeep has done remarkably good work for our generations to know,” he said. Bibi Inderjeet Kaur lauded Amardeep Singh’s efforts, attributing his monumental achievements to divine blessings, stating, “His work is a testament to the Guru’s grace, enabling one individual to accomplish such extraordinary feats.” Kewal Dhaliwal said that Amardeep Singh’s unparalleled insights into Guru Nanak’s philosophy of Eka are commendable, which promotes unity and inclusivity.”
https://www.tribuneindia.com/news/amritsar/intach-seeks-to-revive-citys-literary-history-with-lecture-on-nanaks-oneness/, July 8, 2025
The Mangaluru Chapter of the Indian National Trust for Art and Cultural Heritage (INTACH), in association with Art Kanara Trust, will commemorate screen legend Guru Dutt on the occasion of his birth centenary with a panel discussion titled “Guru Dutt -Remembering the Man and His Persona, Movies and Messages” on Wednesday, July 9, 2025, at 5:00 PM at the Kodialguthu Centre for Art and Culture, Ballalbagh, Mangaluru. All movie lovers are welcome to attend and be part of this meaningful tribute to a cinematic legend. The panel will feature noted writer and activist K. Phaniraj; Karnataka Chalanachitra Academy member Ivan D’Silva and writer and former Times of India associate editor Jayanth Kodkani. Subhas Chandra Basu, Convener of INTACH Mangaluru Chapter will introduce and moderate the discussion. Guru Dutt, born on July 9, 1925 as Vasanth Kumar Shivashankar Padukone, is widely regarded as one of Indian cinema’s most visionary filmmakers. Known for classics such as Pyaasa, Kaagaz Ke Phool, and Sahib Bibi Aur Ghulam, his deeply poetic and socially reflective films continue to influence generations. Guru Dutt hailed from a Chitrapur Saraswat Konkani family with roots in Panambur, near Mangaluru, making his centenary a moment of special significance to the coastal Karnataka region.
https://www.mangalorean.com/intach-and-art-kanara-trust-to-commemorate-screen-legend-guru-dutt-on-his-birth-centenary/, July 8, 2025
The Mangaluru Chapter of the Indian National Trust for Art and Cultural Heritage (INTACH) organised an expert talk on the theme “Protection of Monuments: Threats and Challenges” on Saturday, July 5, at the Kodialguthu Centre for Art and Culture, Ballalbagh. Renowned historian and archaeologist Dr. Pundikai Ganapayya Bhat, a veteran in the field with over three decades of experience in studying and preserving Tulunadu’s heritage, delivered the keynote address. Dr. Bhat, a retired lecturer from Sri Dhavala College, Moodbidri, offered a detailed analysis of the region’s tangible heritage and the growing threats it faces.
Speaking at the session, Dr. Bhat raised concerns over the widespread neglect and unscientific renovations that have compromised many historical structures. “Many monuments in Tulunadu have lost their authenticity due to poorly planned restorations. These efforts, though well-meaning, often erase crucial historical evidence,” he said. He stressed that ignorance, rather than malice, is often the root cause of heritage destruction. “People fail to understand the historical significance of these sites, and in the name of development or renovation, end up damaging them,” he added. Dr. Bhat called for greater community involvement in heritage conservation, stating that awareness and systematic documentation must form the foundation of any preservation effort. “There may not be a universal solution, but the first step is education,” he said. The event concluded with a lively question-and-answer session, during which participants explored grassroots-level initiatives for heritage documentation and the importance of involving youth in preservation efforts. Subhas Chandra Basu, Convener of INTACH Mangaluru Chapter, welcomed and introduced the speaker, while Co-Convener Nemiraj Shetty felicitated Dr. Bhat. The talk drew a positive response from heritage enthusiasts and local citizens, underlining the need for collective action to safeguard the region’s rich cultural legacy.
https://www.mangaloretoday.com/main/INTACH-hosts-thought-provoking-talk-on-preservation-of-Tulunadu-s-Heritage-Monuments.html, July 9, 2025
The Mangaluru Chapter of the Indian National Trust for Art and Cultural Heritage (INTACH) organised an expert talk on the theme “Protection of Monuments: Threats and Challenges” on Saturday, July 5, at the Kodialguthu Centre for Art and Culture, Ballalbagh. Renowned historian and archaeologist Dr. Pundikai Ganapayya Bhat, a veteran in the field with over three decades of experience in studying and preserving Tulunadu’s heritage, delivered the keynote address. Dr. Bhat, a retired lecturer from Sri Dhavala College, Moodbidri, offered a detailed analysis of the region’s tangible heritage and the growing threats it faces.
Speaking at the session, Dr. Bhat raised concerns over the widespread neglect and unscientific renovations that have compromised many historical structures. “Many monuments in Tulunadu have lost their authenticity due to poorly planned restorations. These efforts, though well-meaning, often erase crucial historical evidence,” he said. He stressed that ignorance, rather than malice, is often the root cause of heritage destruction. “People fail to understand the historical significance of these sites, and in the name of development or renovation, end up damaging them,” he added. Dr. Bhat called for greater community involvement in heritage conservation, stating that awareness and systematic documentation must form the foundation of any preservation effort. “There may not be a universal solution, but the first step is education,” he said. The event concluded with a lively question-and-answer session, during which participants explored grassroots-level initiatives for heritage documentation and the importance of involving youth in preservation efforts. Subhas Chandra Basu, Convener of INTACH Mangaluru Chapter, welcomed and introduced the speaker, while Co-Convener Nemiraj Shetty felicitated Dr. Bhat. The talk drew a positive response from heritage enthusiasts and local citizens, underlining the need for collective action to safeguard the region’s rich cultural legacy.
https://www.mangaloretoday.com/main/INTACH-hosts-thought-provoking-talk-on-preservation-of-Tulunadu-s-Heritage-Monuments.html, July 9, 2025
St Aloysius Gonzaga School, Mangaluru, secured third place in INTACH’s Best Heritage Club Awards 2024–2025. Organised by the Indian National Trust for Art and Cultural Heritage, the programme encourages cultural preservation. Teachers Jeevan Salian, Neha Sanghvi, and Sandhya Manoj led the club to its third win.
https://www.deccanherald.com/dhie/school-scene/2025/07/09/st-aloysius-gonzaga-wins-heritage-club-award, July 10, 2025
In a major initiative to preserve and promote India’s vast manuscript wealth, the Ministry of Culture on Thursday announced the country’s first-ever global conference dedicated to manuscript heritage. Titled ‘Reclaiming India’s Knowledge Legacy Through Manuscript Heritage’, the three-day international conference will be held from 11 to 13 September at Bharat Mandapam, New Delhi. The announcement was made on the occasion of Guru Purnima, underlining India’s commitment to the guru–śiṣya tradition and its centuries-old knowledge systems. The conference is being organised in respectful commemoration of Swami Vivekananda’s historic address at the Parliament of the World’s Religions on September 11, 1893. The date holds special significance as a reminder of India’s enduring vision for universal knowledge and peace.
India is home to more than 10 million manuscripts covering diverse subjects such as philosophy, science, medicine, mathematics, literature, rituals, and arts. These manuscripts are considered a vital link in sustaining the country’s intellectual and cultural legacy. The conference will bring together over 500 delegates, including 75 distinguished scholars, thought leaders, and cultural custodians from India and abroad. Designed in a hybrid format, it will allow both in-person and virtual participation to ensure wider global engagement. Thematic sessions will cover key areas such as conservation, digitisation, palaeography, metadata standards, AI-based archival practices, ethical custodianship, and the integration of manuscript knowledge into modern education. Rare manuscripts, including those listed under UNESCO’s Memory of the World register, will be showcased. The event will also feature live demonstrations of conservation techniques, workshops, cultural performances, and dedicated spaces for manuscript-focused startups.
One of the key outcomes of the conference will be the adoption of the New Delhi Declaration on Manuscript Heritage. Expert working groups will be formed for decipherment, conservation, translation, and digital archiving. The Ministry also plans to launch the Manuscript Research Partner (MRP) programme to provide hands-on training and script labs for young scholars. Researchers and scholars are invited to submit original research papers and case studies in Hindi or English on themes including conservation, codicology, legal frameworks, education, cultural diplomacy, and technological innovations related to manuscripts. Abstracts must be submitted by 10 August 2025 through the official website https://gbm-moc.in. Queries and full papers can be sent to [email protected].
https://ddnews.gov.in/en/india-to-host-first-global-conference-on-manuscript-heritage-in-september/, July 11, 2025
In a historic decision at the 47th session of the World Heritage Committee in Paris, UNESCO has inscribed the ‘Maratha Military Landscapes of India’ on its World Heritage List, marking India’s 44th globally recognised heritage property. This prestigious recognition celebrates the architectural brilliance, strategic military vision, and enduring cultural traditions of the Maratha Empire, spanning from the 17th to the 19th centuries. Prime Minister Narendra Modi, Culture Minister Gajendra Singh Shekhawat, and Maharashtra Chief Minister Devendra Fadnavis hailed the recognition, calling it a proud moment for the nation. The achievement also highlights the efforts of the ASI (Archaeological Survey of India) and the Maharashtra government in preserving these historic treasures. The nomination, submitted in January 2024, underwent an intensive eighteen-month evaluation process, including technical consultations and a site review by ICOMOS. The final decision was made after a 59-minute deliberation, with 18 of the 20 State Parties endorsing India’s proposal. The committee, along with UNESCO and its advisory bodies, congratulated India on this milestone. The inscribed sites include twelve forts spread across Maharashtra and Tamil Nadu: Salher, Shivneri, Lohgad, Khanderi, Raigad, Rajgad, Pratapgad, Suvarnadurg, Panhala, Vijaydurg, and Sindhudurg in Maharashtra, and Gingee Fort in Tamil Nadu. These forts, situated across varied terrains, from hilltops and plateaus to coastal and island locations, demonstrate the Marathas’ mastery in adapting military architecture to geography. Protected by the Archaeological Survey of India and the Directorate of Archaeology and Museums, Government of Maharashtra, these forts stand as living testaments to India’s rich heritage. Their inclusion was based on cultural criteria recognising their exceptional testimony to a living tradition, architectural and technological significance, and deep historical associations. India, currently ranked sixth globally and second in the Asia-Pacific region for the number of World Heritage Sites, continues to strengthen its cultural footprint. With 62 sites on the Tentative List and active membership in the World Heritage Committee (2021–25), the country reaffirms its commitment to safeguarding and promoting its diverse heritage on the world stage.
https://ianslive.in/maratha-forts-secure-unesco-world-heritage-status-marking-indias-44th-global-recognition--20250711234735, July 11, 2025
The Heritage Education and Communication Division of the Indian National Trust for Art and Cultural Heritage (INTACH) held a National Level Poster Competition on Celebrating India. The competition, part of INTACH’s initiative for heritage awareness, was aimed to increase awareness about the glorious nation among school children. The students were asked to draw a poster on any local festival, tradition, custom or ritual of their respective state. They were also asked to write a 200 word description on the chosen theme. More than 120 Chapters of Intach participated in the event with nearly 10,000 entries received from all over the nation. Shriyans Panda’s entry of his poster on the Chakulia Panda was adjudged among the National Winners. Shriyans is a Class 7th student at the Saraswati Public School, Bhubaneswar. The prize was awarded at a function at Intach’s head office at Delhi. Dr. Biswajit Mohanty, the State Convener of Intach said that the event was aimed at promoting cultural appreciation, exploration, and education among the school children, who are the torchbearers of our nation’s legacy. Around 20 schools of Odisha had participated in the competition. The participants showcased their creativity by illustrating one intangible cultural heritage of Odisha, such as local festivals, traditions, rituals, social practices, or customs, through their posters and writing. Mohanty said that Intach shall soon be taking up many such projects for fostering cultural awareness and encouraging students to take pride in India’s diverse and rich heritage. Shriyans poster on the Chakulia Panda drew attention of the jury. His depiction of the wandering minstrel, recognised by the marks of white sandalwood on the forehead, palm leaf umbrella and the rice bag was a poignant reminder of the dwindling numbers of Chakulia Pandas. They have been a regular feature in Odisha’s rural landscape singing devotional songs in exchange for rice and money, never seek alms, accepting whatever villagers offer while maintaining their dignified tradition with devotion. Many in Odisha believe that offering rice to Chakulia Pandas is more auspicious than giving to a 100 Brahmins. The Chakulias have been an integral part of coastal Odisha’s cultural fabric, particularly in Kendrapada and Jagatsinghpur districts. Their simple yet melodious devotional songs have significantly influenced Odia culture.
https://orissadiary.com/odisha-school-boys-chakulia-panda-poster-wins-national-award/, July 12, 2025
The Kashmir Chapter of the Indian National Trust for Art and Cultural Heritage (INTACH) held its Annual Chapter Meeting today at the EDI Building, Press Enclave, Srinagar. The meeting was chaired by Altaf Hussain, Convener, INTACH Kashmir Chapter, and co-chaired by Habibullah Bhat, Co-Convener. During the session, Altaf Hussain provided a comprehensive overview of the chapter’s activities, presenting both completed and ongoing projects aimed at conserving the region’s tangible and intangible heritage. He also shared updates on several proposals currently under consideration, outlining the chapter’s strategic priorities for the coming year. Attendees were provided with a printed handout detailing the agenda and key discussion points.
The meeting saw enthusiastic participation from members who offered insightful suggestions to enhance INTACH’s outreach and effectiveness, particularly in raising awareness about Kashmir’s architectural and cultural heritage. Emphasis was laid on the need for community sensitization and educational engagement at grassroots levels. Among those present were Naeem Akhter Andrabi, Irfan Yaseen, Ghulam Hassan Mir, Gulzar Ahmad, Roohi Sultana, Ms. Urfana Amin, and other active members of the Kashmir Chapter. The gathering reaffirmed INTACH’s commitment to safeguarding Kashmir’s rich legacy through collaboration, conservation, and community-driven efforts.
https://ziraattimes.com/2025/07/heritage-experts-citizens-collaborate-at-intach-kashmirs-annual-event/, July 14, 2025
The Indian National Trust for Art and Cultural Heritage (INTACH) has appointed noted environmentalist and wildlife activist Dr Biswajit Mohanty as the state convener of the Odisha Chapter. Writer and historian Anil Dhir has been appointed as the co-convener. INTACH was founded in 1984 in New Delhi to spearhead heritage awareness and conservation in India. Today, it is recognised as one of the world’s most significant heritage organisations, with over 250 Chapters across the country. In the past 40 years, INTACH has pioneered the conservation and preservation of both natural, built heritage and intangible heritage.
It has various divisions such as Architectural Heritage, Natural Heritage, Intangible Cultural Heritage, Heritage Education and Communication Services (HECS), INTACH Heritage Academy, Heritage Tourism, Listing Cell and INTACH Knowledge Centre. Odisha has a vibrant network of 13 chapters across the state. The state convener will co-ordinate with the state chapters to secure government and public cooperation for protection, preservation and upkeep of arts, culture and heritage of the State. In the last two decades, INTACH has played a pivotal role in identifying and documenting over 7,000 neglected heritage sites throughout Odisha, contributing significantly to the preservation and promotion of the state’s rich cultural legacy. Some of the notable initiatives include the extensive documentation of the historic Jagannath Sadak (from Kolkata to Puri), the Mahanadi and Prachi River Valley civilizations, the Tribal Heritage of Koraput, and the Sacred Temple Tanks of Bhubaneswar.
INTACH’s Conservation Centre has restored numerous rare palm leaf manuscripts, safeguarding centuries-old knowledge and artistry. It also played a crucial role in the restoration and preservation of significant heritage landmarks like the Odisha State Maritime Museum and the Museum of Justice at Cuttack, the ancestral home of Jankinath Bose in Puri, the Sambalpur Town Hall and the George Library in Balangir. Dhir said that while there are only 81 ASI Protected Monuments and 218 State Protected Monuments, there are many old monuments which should be included in the list. “The theft of temple idols and artefacts is equally alarming. INTACH will soon complete listing the unprotected monuments in a district wise phase all over the state,” he said. He also informed about plans to open Heritage Clubs in schools, colleges and universities for implementing the guidelines of the New Education Policy.
https://odishabytes.com/environmentalist-biswajit-mohanty-to-head-inatchs-odisha-anil-dhir-co-convener/, July 15, 2025
Odisha schoolboy Shriyans Panda poster on the Chakulia Panda was among the winners in the National Level Poster Competition on Celebrating India. The Heritage Education and Communication Division of the Indian National Trust for Art and Cultural Heritage (INTACH) organised the competition as part of its initiative for heritage awareness, and aimed at increasing awareness about our glorious nation among school children. Around 120 Chapters of INTACH participated in the competition, which attracted nearly 10,000 entries from all over India. Twenty schools of Odisha participated in the competition. The contestants were asked to draw a poster on any local festival, tradition, custom or ritual of their respective state.
They were also asked to write a 200-word description on the chosen theme. A Class VII student of Saraswati Public School, Bhubaneswar, Shriyans’ poster on the Chakulia Panda drew the jury’s attention. His depiction of the wandering minstrel, recognised by marks of white sandalwood on the forehead, palm leaf umbrella and rice bag, was a poignant reminder of the dwindling numbers of Chakulia Pandas. The Chakulias have been an integral part of coastal Odisha’s cultural fabric, particularly in Kendrapada and Jagatsinghpur districts.
https://odishabytes.com/bhubaneswar-schoolboys-poster-on-chakulia-panda-wins-national-award/, July 16, 2025
INTACH-Punjab organised a lecture on 'Guru Nanak: Symbol of Unity' in the city on Wednesday. Amardeep Singh, a renowned author from Singapore, delivered the keynote address at the lecture, which was chaired by Major General Balwinder Singh, who addressed the gathering at the event.
Amardeep, who is the author of two books - 'Lost Heritage, The Sikh Legacy in Pakistan' and 'The Quest Continues, Lost Heritage, The Sikh Legacy in Pakistan', addressed the gathering at the Indian Amardeep and his wife, Vininda R Kaur, have together produced a 24-episode documentary series, Allegory, A Tapes, in five languages of Guru Nanak's Travels', filmed at multi-religious sites in nine countries. The series is available on TheGuruNanak.com. In November 2022, Hofstra University (USA) awarded Amardeep the 8th Biennial Interfaith Award for this documentary.
https://jantaserishta.com/local/punjab/intach-punjab-organises-lecture-on-guru-nanaks-legacy-of-unity-4141931, July 16, 2025
At the 47th session of the UNESCO World Heritage Committee in Paris, France, the “Maratha Military Landscapes of India” were officially inscribed on the UNESCO World Heritage List. This significant recognition marks India’s 44th World Heritage site and highlights the country’s remarkable historical and architectural heritage, reflecting its enduring cultural legacy on the global stage. The nomination, submitted for the 2024–25 cycle, highlights a group of twelve strategically located forts that exemplify the Maratha Empire’s military acumen and architectural brilliance between the 17th and 19th centuries CE. The inscription followed a rigorous eighteen-month process that included multiple technical evaluations and an on-site mission by ICOMOS, the International Council on Monuments and Sites.
Prime Minister Narendra Modi, Union Minister of Culture Gajendra Singh Shekhawat, and Maharashtra Chief Minister Devendra Fadnavis congratulated the nation on this significant achievement, praising the recognition of India’s historical and cultural contributions to global heritage. The Maratha Military Landscapes comprise forts located across Maharashtra and Tamil Nadu. The twelve forts include Salher, Shivneri, Lohgad, Khanderi, Raigad, Rajgad, Pratapgad, Suvarnadurg, Panhala, Vijaydurg, and Sindhudurg in Maharashtra, along with Gingee Fort in Tamil Nadu. These sites are spread across diverse terrains, from hilltops and dense forests to plateaus and coastal islands.
Shivneri, Lohgad, Raigad, Salher, Rajgad, and Gingee are categorized as hill forts. Pratapgad is classified as a hill-forest fort, while Panhala stands on a plateaued hill and is recognized as a hill-plateau fort. Vijaydurg is a notable coastal fort, whereas Khanderi, Suvarnadurg, and Sindhudurg are island forts surrounded by the Arabian Sea. Eight of these forts—Shivneri, Lohgad, Raigad, Suvarnadurg, Panhala, Vijaydurg, Sindhudurg, and Gingee—are under the protection of the Archaeological Survey of India (ASI). The remaining four—Salher, Rajgad, Khanderi, and Pratapgad—are safeguarded by the Directorate of Archaeology and Museums, Government of Maharashtra. The inclusion of these forts under UNESCO’s World Heritage List is a result of India’s nomination under criteria (iv) and (vi), which pertain to architectural and technological significance and strong association with living traditions and historical events. The collective ensemble presents a sophisticated understanding of geography, defense strategy, and regional adaptation.
During the committee meeting, 18 out of 20 State Parties supported India’s proposal. The deliberation lasted for 59 minutes, after which the proposal received enthusiastic backing from all member states, UNESCO’s World Heritage Centre, and advisory bodies such as ICOMOS and IUCN. This global recognition comes on the heels of the Moidams of Charaideo in Assam, which were inscribed at the 46th session held in New Delhi last year. India now ranks sixth globally and second in the Asia-Pacific region for the most number of World Heritage Sites. India is currently a member of the World Heritage Committee (2021–2025) and continues to promote its cultural and natural legacy through the efforts of the Archaeological Survey of India, the nodal agency for all World Heritage matters. The country also maintains 62 sites on its Tentative List, which serves as a prerequisite for future nominations.
https://ddnews.gov.in/en/maratha-military-landscapes-of-india-inscribed-as-44th-unesco-world-heritage-site/, July 17, 2025
In a remarkable scientific breakthrough that may rewrite regional history, a team from the Indian Institute of Technology (IIT) Kanpur has discovered signs of ancient Buddhist stupas and structural remains buried beneath the soil in Yamuna Nagar district of Haryana. Using advanced Ground Penetrating Radar (GPR) technology, researchers detected circular structures, old walls, and chamber-like rooms at a depth of around 6 to 7 feet, pointing to the possibility of a 2,000-year-old Buddhist site. The survey, commissioned by the Haryana State Department of Archaeology, was part of a broader investigation to locate potential historical structures across several sites, including Topra Kalan and other villages known for scattered old bricks on the surface. The IIT Kanpur team's work offers compelling evidence of buried heritage that may date back to the Buddhist period or even to the Mahabharata era, according to local tradition. Professor Javed Malik of IIT Kanpur's Civil Engineering Department said, "When we surveyed the mound's exterior, we picked up strong geo-radar reflections indicating a semi-circular structure beneath. Officials from the archaeological department confirmed the presence of what they believed was a stupa nearby. We felt confident that we were indeed detecting a buried stupa."
https://timesofindia.indiatimes.com/india/2000-year-old-buddhist-site-found-in-haryana/articleshow/122605788.cms, July 17, 2025
At the 47th World Heritage Committee (WHC) session in 2025, India marked a historic achievement with the inclusion of the Maratha Military Landscapes as its 44th UNESCO World Heritage Site. This recognition celebrates India's diverse cultural and architectural heritage, especially the strategic hill forts built under Chhatrapati Shivaji Maharaj.
These landscapes join an esteemed list that includes ancient sites like Ajanta Caves, the Taj Mahal, and the Sun Temple at Konark. Earlier in 2024, Assam’s Moidams of the Ahom Dynasty became the 43rd site. With a total of 44 World Heritage Sites, India now ranks 6th globally, showcasing a blend of cultural depth and natural beauty that reflects its historical significance on the global heritage map.
https://www.jagranjosh.com/general-knowledge/list-of-unesco-world-heritage-sites-in-india-1727769443-1, July 18, 2025
The ancient menhirs of Lianpui village in Champhai district will now receive protection and conservation under central government funding. The ancient menhirs of Lianpui village in Mizoram’s Champhai district have been declared a ‘monument of national importance’ by the Archaeological Survey of India (ASI) under the ministry of culture. The announcement, made on July 14, followed a two-month public notification period issued by the central government on February 9, as required under the Ancient Monuments and Archaeological Sites and Remains Act, 1958. With no objections received, the centre finalised the notification, bringing the site under national protection. The menhirs—upright memorial stones bearing intricate carvings—are distinguished by their pre-Christian Mizo iconography. “The stones feature carvings of human figures, birds, animals, mithun heads, gongs, and lizards, offering insights into the cultural practices of the Mizo people before the advent of Christianity.
These menhirs are arranged into eight alignments—four running north-south and four east-west—suggesting a deliberate and possibly ceremonial layout,” Vanlalhuma, an archaeologist with Mizoram’s department of art and culture, said. Lianpui village, reportedly founded in the early 18th century by Lusei chief Lianpuia, was originally established at Mualbawk before relocating to its current site. The village, named after its founder, now houses one of the state’s most culturally significant archaeological sites. The site in Lianpui village, which will now receive protection and conservation under central government funding, is also expected to boost archaeological tourism in the region. Lianpui is the second menhir site in Mizoram to receive national recognition, after Vangchhia, located 20 km to the south. Vangchhia, known locally as Kawtchhuah Ropui or the Great Entrance, was the first site to get ASI’s tag in Mizoram. It hosts over 170 engraved menhirs depicting scenes of warriors, hunting, music, and communal legends.
https://www.hindustantimes.com/india-news/lianpui-menhirs-in-mizoram-declared-monument-of-national-importance-by-asi-101752762203369.html, July 18, 2025
In the heart of Cuttack’s Banka Bazar stands a fading symbol of Odisha’s theatrical heritage, the Janata Ranga Mancha. Established in 1953, this iconic theatre was once the soul of the Odia stage movement, a prestigious auditorium where the finest playwrights and performers honed their art and enchanted drama lovers for years. But today, it lies in ruin, a skeletal shadow of its former self, worn down by time, neglect, and the brutal blow of the devastating 1999 Super Cyclone. For over half a century, Janata Ranga Mancha served as the cultural pulse of Odisha. With regular performances and an untiring commitment to drama, it nurtured countless talents and kept Odisha’s theatre tradition alive. However, after its destruction in the cyclone, performances shifted to a makeshift structure, and dreams of full restoration remained unrealised. Last Thursday, the Indian National Trust for Art and Cultural Heritage (INTACH), in collaboration with the Janata Ranga Mancha Committee, held a press conference at the makeshift structure to appeal for government intervention. INTACH’s state convener, Biswajit Mohanty, expressed concern over the theatre’s decaying condition and underlined its irreplaceable historical significance. “This is not just a building, it is a living archive of Odia theatre,” he said. Cuttack Chapter co-convener Deepak Samantaray echoed this sentiment, calling the theatre a lost jewel of the Millennium City. Indrajit Ghosh stressed that heritage recognition is critical to honour the institution’s role in shaping Odisha’s performing arts. Veteran advisor Ananga Dwivedi recalled how even Union Minister Ashwini Vaishnaw, during his tenure as Cuttack’s Collector in the mid-90s, had once proposed to redevelop the theatre house into an Adarsh Natya Sanghralaya. But the Super Cyclone of 1999 devastated all efforts, he lamented. Filmmaker Subash Rath and INTACH’s Anil Dhir reaffirmed the call for heritage status, declaring that without swift and sincere efforts, Janata Ranga Mancha may be lost forever. They urged the government to initiate comprehensive restoration and preservation efforts before the stage of legends disappears into memory. As community voices rise, the fate of Janata Ranga Mancha now hangs in the balance between neglect and rebirth. Will this cultural cornerstone in the cultural capital of Odisha be revived, or will it remain a relic of forgotten glories like many such glories fading away in the old capital city of the state? It remains to be seen.
https://www.etvbharat.com/en/!state/intach-seeks-heritage-tag-to-revive-crumbling-janata-ranga-mancha-enn25071905166, July 19, 2025
About 54 kilometres southeast of Champhai town in Mizoram, Lianpuri has watched over its ancient stones for centuries, keeping them safe through community-driven efforts, long before any official tags came into play. Big news from Mizoram's quiet highlands - Lianpui village. Nestled near the India-Myanmar border, it has officially joined India's list of nationally protected monuments. Its mysterious stone giants, known as menhirs, have stood in silent rows for centuries, guarding local stories and rituals long before modern maps marked their presence. Now, the Archaeological Survey of India (ASI) has declared this remote megalithic site a Monument of National Importance, bringing long-overdue recognition to the village's rich heritage. This makes Lianpui Mizoram's second megalithic site to receive the honour, following the celebrated Vangchhia's Kawtchhuah Ropui, which earned protection back in 2014. Lianpui is not just remote, it is quietly majestic. About 54 kilometres southeast of Champhai town, this humble village has watched over its ancient stones for centuries, keeping them safe through community-driven efforts, long before any official tags came into play. Known locally as Lungphun Ropui ("the grand stone courtyard"), the site features 114 upright menhirs arranged in eight neat rows, half aligned north-south, half east-west. Some of these stones tower nearly six feet tall, and many are etched with carvings of humans, animals, birds, gongs, and mithun heads. Scattered around them are petroglyphs, man-made hollows, and wooden Y-shaped posts, hinting at age-old cultural rites and ways of life. Historians believe these megaliths were memorial stones, erected to honour heroic deeds or departed souls. They also serve as silent storytellers of Mizo practices before Christianity, reflecting a deeply spiritual, communal era that shaped the region's identity.
Recognition, Restoration And What's Next:
The campaign to protect Lianpui's megaliths began in 2021, when the site was proposed under India's Ancient Monuments and Archaeological Sites and Remains Act, 1958. Final inspections and consultations culminated in the ASI's official declaration on July 14, 2025, with ASI Director (Monuments) AMV Subramanyam visiting the site to oversee the process. Now, plans are underway to improve facilities while preserving the site's natural beauty. These include:
The Indian National Trust for Art and Cultural Heritage (INTACH) organised a special screening for the release of its documentary film “Kan-Kan Mein Ram” on 23rd July 2025 at INTACH Multipurpose Hall, New Delhi. The event was graced by the presence of Shri Gajendra Singh Shekhawat, Minister for Culture and Tourism, Government of India, along with senior officials, scholars, and invited guests. The Minister also acknowledged INTACH’s pivotal role in India’s ongoing cultural renaissance, citing its four-decade-long legacy in heritage conservation. Reflecting on his earlier experience in the Jal Shakti Ministry, he lauded INTACH’s significant contribution to the Ganga Cultural Documentation Project, underlining its commitment to understanding and preserving the cultural footprint of India, particularly along the Ganga basin. The Minister was warmly welcomed by Shri Ashok Singh Thakur, Chairman, INTACH, and Shri Ravindra Singh, IAS (Retd.), Member Secretary, INTACH and other officials of INTACH. Shri Thakur said INTACH’s sphere of work covers a whole range of diverse initiatives in tangible, intangible and natural heritage, as well as work with schools, crafts and publications, to ensure the proper promotion and dissemination of our glorious heritage. The documentary offers an in-depth look at the various representations of the Ramayana in India, spanning diverse forms such as ritualistic performances, dance-dramas, and puppetry. Notable traditions featured include the Yakshgana and Uppinikudru puppetry of Karnataka, Lanka Podi Yatra and Ravan Chaya in Odisha, Sattriya traditions in Assam, Mewati Bhapang performance, and the Ramnami Samaj in Chhattisgarh. The film celebrates the cultural diversity and enduring legacy of the Ramayana as seen through the lens of India’s performing arts. The divine idea of ‘Kan-Kan Mein Ram or The Eternal Ram’ is relevant and inspiring for all of humanity, beyond the boundaries of religion, and his divine form connects our collective consciousness. That is the key message and tone of the film. The film stands as a testament to INTACH’s continued commitment to preserving, understanding, and showcasing the richness and depth of India’s intangible cultural heritage.
https://www.pib.gov.in/PressReleasePage.aspx?PRID=2147458, July 23, 2025
The Indian National Trust for Art and Cultural Heritage (INTACH) will hold the INTACH Heritage Quiz 2025 at Alwardas Public School, MVP Colony, starting at 9 a.m. on August 1. There event will feature a written preliminary round, followed by an oral final round. Winners will advance to the State-level quiz, and subsequently to the national-level quiz in Delhi. For details contact programme coordinators Sandhya Godey Mobile No. 9849117400 or Renuka Rani Maganti Mobile No 9848198701.
https://www.thehindu.com/news/cities/Visakhapatnam/intach-heritage-quiz-today/article69878834.ece, July 31, 2025
This is the first recorded instance of Harappan remains being found in the Thar desert region, suggesting a significant expansion of the civilisation's geographical footprint. In a landmark archaeological breakthrough, remains of a 4,500-year-old Harappan (Indus Valley) civilisation have been discovered near the Pakistan border in Rajasthan's Jaisalmer district. The site, located at Ratadia Ri Deri, lies approximately 60 kilometers from Ramgarh tehsil and 17 kilometers northwest of the border village Sadewala. The discovery was made through a collaborative effort involving Dilip Kumar Saini, a researcher in the Department of History and Indian Culture at Rajasthan University, historian Parth Jagani from Jaisalmer, Professor Jeevan Singh Kharkwal of Rajasthan Vidyapeeth, Udaipur, Dr Tamegh Panwar, and Dr Ravindra Devda from Rajasthan University, with support from local contributors Chatar Singh 'Jam' and Pradeep Kumar Garg of Ramgarh. This is the first recorded case of Harappan remains being found in the Thar desert region, suggesting a significant expansion of the civilisation’s geographical footprint. The team has confirmed the authenticity of the site and submitted their research for publication in the Indian Journal of Science.
Artifacts found at the site point to a developed, urban Harappan settlement. Key discoveries include:
This is a significant find in the context of Rajasthan’s desert archaeology," said researcher Dilip Kumar Saini. "The presence of Harappan remains in such a remote, sandy terrain suggests a previously unknown settlement that endured the harsh conditions of the Thar desert." Historian Parth Jagani emphasised the site's strategic and cultural importance, stating, "This is the first Harappan urban settlement discovered in the desert region between North Rajasthan and Gujarat. Its proximity to the Pakistan border adds another layer of historical significance." The site came to academic attention after local teacher Pradeep Kumar Garg reported findings to the Save Our Heritage Foundation. A subsequent visit in June by Dr Pankaj Chandak, Assistant Professor of History in Himachal Pradesh and author of An Introduction to Archaeology, and Dr Krishnapal Singh, Principal of Aravali Mahavidyalaya, further validated the site's significance. Dr Chandak and Dr Singh noted the presence of red and wheat-colored handmade pottery, chert knives, and ancient brick walls. Decorative geometric patterns on many artifacts suggest a socially and economically advanced society. They estimate the ancient city spanned approximately 50 by 50 meters and was likely located at the mouth of the now-extinct Saraswati River. This newly unearthed site offers a rare glimpse into the urban and cultural life of the Harappan civilisation in one of India’s most arid and remote regions. Further excavations and studies are expected to yield valuable insights into the spread and adaptation of one of the world’s earliest urban cultures.
