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January
2010 |
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ASI to
erect fencing around Mud
Fort

The
Archaeological Survey of
India (ASI), Punjab
branch, has decided to
erect fencing around the
ancient Mud Fort, a
protected monument in
the town, so that its
vacant space cannot be
encroached upon by
unscrupulous elements.
According to official
sources, the ASI,
Punjab, had sanctioned
Rs 22.5 lakh for the
purpose and the work is
expected to start soon.
The fencing will be
erected on the edges of
the Mud Fort and the
vacant space will be
covered with barbed wire
fencing. It is believed
that the Mud Fort (a
mound), which existed at
that time, was once held
by Abram Chand, one of
the Rajput kings. The
mound seems to be a
Harappan site situated
on the dry bed of the
river Ghaggar.
Excellent flat mud
bricks of large sizes
were also found at the
site. The Mud Fort at
Abohar and the other
forts at Sirsa, Bhatnair
and Bathinda, situated
at the angles of a
figure nearly square
with a side of about 50
miles long, were built
of the same dimensions,
thus forming a sort of
quadrilateral in the
path of invaders from
the north-west.
Abohar was founded by
Abheraj Bhatti in the
12th century and it was
known as Abhegarh at
that time. Till the end
of the 15th century, the
town was known as the
Abha Nagri and was a
part of the erstwhile
states of Jodhpur and
Bikaner.
The ASI authorities
had been toiling to get
the encroachers evicted
from the premises.A
number of people have
encroached on the fort
area by constructing
their houses.
A senior functionary
of the ASI said about 55
per cent of the area of
the protected fort had
been vacated so far
while in the case of the
remaining area;
litigation is pending in
the Punjab and Haryana
High Court. A section of
the MPs had raised the
issue in Parliament as
well, he said.
1 January 2010,
Tribune
Delhi
one of the hottest
destinations of 2010

For
the last five years,
Delhi has been gearing
up for its moment in the
sun — the Commonwealth
Games, scheduled to be
held in October 2010.
From ministers to
bureaucrats to the man
on the street, we have
heard them all wax
eloquent about the surge
of tourists expected to
hit the Capital.
On eve of the New
Year, several
international travel
websites and airlines,
including the Lonely
Planet, listed Delhi as
one of the top 10
destinations for the
year.
Calling it one of the
best times to visit the
Capital, Lonely Planet
describes the
preparations for
Commonwealth Games in
upbeat terms: “The Games
put this vibrant,
chaotic Capital in the
global spotlight, and
the last few years have
seen Delhi streamlined
(as far as the unruly
city can be) with a
flurry of new
infrastructure,
including a new metro
system and a flashy
Games village.”
Delhi has lot of
competition though.
The Lonely Planet’s
list includes watching
total eclipse from
Easter Island; FIFA
World Cup, which for the
first time is coming to
Africa; Santiago
Pilgrimage in Spain,
especially since it is
the Holy Year; the World
Expo in Beijing; the
Peking to Paris Motor
Race where most
participants drive
vintage cars and the
Winter Olympics in
Vancouver.
The other favourite
among Indian
destinations is the
Pushkar camel fair in
Rajasthan.
The British Airways,
too, listed Delhi as one
of hottest destinations.
“The 2010 Commonwealth
Games will be a huge
attraction, with Delhi
playing the first time
host to the Games,” the
report states. The World
Travel Guide, other
renowned publications,
lists Delhi as one of
the most sought after
destinations.
Chief Minister Sheila
Diskhit is elated with
the listings. “Delhi is
an attractive city, a
unique mix of history
and modern,” she said.
“And we are working hard
to make it much more
comfortable and
culturally active city.”
1 January 2010,
Indian Express
MCD
nod for re-development
of Bahadur Shah Zafar
Marg

The civic body
also plans to develop a
heritage corridor
Work
for re-development of
historic Ferozeshah
Kotla and Bahadur Shah
Zafar Marg in the
Capital to de-congest
parking in the area and
improve landscaping is
all set to take off now
in the New Year with the
Municipal Corporation of
Delhi approving the
award of work to the
contractor.The Indian
National Trust for Art
and Cultural Heritage,
which had signed an MoU
with the MCD for the
project, has also
assured the civic agency
that work would be
completed before June
this year, well in time
for the Commonwealth
Games.
The project also
includes refurbishing of
the road between Delhi
Gate and Darya Ganj. The
civic body also plans to
develop a heritage
corridor starting from
Coronation Park in North
Delhi to Qutub Minar in
South Delhi that would
include prominent
heritage sites such as
Ferozeshah Kotla, Khooni
Darwaza and Delhi Gate.
The famous Shankar’s
International Dolls
Museum and Shaheed Park
are other important
locations which fall on
the stretch and would be
re-developed.
The MCD had initially
planned to build up a
multi-level underground
parking lot at Shaheed
Park. However, because
of huge parking
requirements in the area
the parking site has
been shifted to the
Parade Ground in Chandni
Chowk. This lot would
provide parking space
for 663 cars and would
be built at a cost of
Rs.52 crore.
The civic body will
also carry out extensive
landscaping of the area.
Shaheed Park will be
developed to provide a
clear view of the
ancient Ferozeshah Kotla
fort.
It will also improve
and standardize the
signs on Delhi’s roads
before the 2010
Commonwealth Games as
well as improve the
roadside landscaping.
A plan is also being
worked out to de-congest
the area around the
Dolls Museum under the
project. “We want to
make the Dolls Museum
more accessible. A
parking lot at Manak
Bhavan across the road
will reduce the vehicle
load in the Press Area.
It will also make the
Dolls Museum more
popular,” said a civic
body official.
2 January 2010, The
Hindu
Hidden gems

Mehrauli holds
treasures of Delhi’s
history, from the Slave
Dynasty to the Mughal
empire. However, this
treasure trove is slowly
being forgotten by its
own people. Sunil
Thapliyal tells you
more
It’s unique to see
the untold and unseen
part of history, the
heritage, and legacy of
Indian history. Delhi is
not only Chandni Chowk
or Delhi -6, the city
has much older areas
within its territory,
and having many chapters
of history. And Mehrauli
is among those places.
Mehrauli is famous in
the world for the Qutab
Minar; however, this
historic place has many
other landmarks such as
Adam Khan’s Tomb, Zafar
Mahal, Hauz-i-Shamsi and
Jharna, apart from
others.
The historic Adam
Khan’s Tomb, opposite
Qutab Minar, is also
known as Bhool Bhulaiya
among the local people.
Adam Khan was the son of
Akbar’s wet nurse Maham
Anga. When Adam Khan
killed Anga’s husband,
Ataga Khan, he was
thrown from the top of
Agra’s Red Fort twice by
Akbar. Later Akbar built
this tomb for Adam Khan.
Few metres away from
the tomb of Adam Khan,
there is the Zafar Mahal
that is considered to be
the last Mughal monument
and it attracts many
visitors. Zafar Mahal is
a three-storeyed
structure built in red
sandstone with a free
use of marble, measuring
around 50 ft across with
an 11 feet by 9 inch
opening at the entrance.
An inscription on the
main arch proclaims that
the gate was added to
the existing Mahal by
Bahadur Shah II in the
eleventh year of his
accession in 1847-48 AD.
A broad Chhajja built in
the later Mughal style
is considered its
crowning feature.
“I am so happy to see
the Zafar Mahal, the
last Mughal monument in
India. It was really
nice. And also the three
tombs of Mughal emperors
in the same place, who
were buried here. They
fascinated and excited
me. The mixture of
Indian, Mughal, and
European style makes
this place more
attractive,” said a
local school student,
who was fascinated to
touch the stones of the
walls of the mahal of
the last Mughal emperor.
Just besides it is
the Hauz-i-Shamsi, which
is a water storage
reservoir or tank built
by Iltumish of the Slave
Dynasty in 1230 AD. This
was the same place where
he saw the Prophet
Muhammad in his dream.
The original stone,
on which the foot print
of the horse of the
Prophet was imprinted,
was located at this
pavilion. It has since
been removed but
replaced by a new one.
In view of its religious
significance, the water
stored in the tank was
considered sacred.
Because of reduction
in the size of the
reservoir over the
years, due to
encroachments and
siltation, the
pavilion’s present
location is seen at the
eastern edge of the
tank.
The Jharna, which
flows out from the
Hauz-i-Shamsi, is
located close to the
Jahaz Mahal. It is a
significant water
structure that had been
developed by Nawab
Ghaziuddin around 1700
AD as a pleasure garden
during the Mughal rule.
The Jharna structure
was built in three
parts, the first part
consisted of the
reservoir or the tank,
the second part was the
waterfall and the last
part consisted of the
fountains. Akbar Shah II
built the pavilion on
the side and his son
Bahadur Shah II added
the central pavilion.
The Jharna was the
highlight of the
three-day festival of
the Phool Walon Ki Sair.
It is now under the
siege of illegal
settlement.
The renowned
historian, Charles Lewis
expressed his concern
about the perseveration
of the monuments he told
“there is a need to
prevent the history,
unfortunately, look at
the conditions of these
monuments. These are in
worse condition, and it
seems that concerned
authorities have closed
their eyes to prevents
these treasures.”
Only a few visitors
come to visit these
places. These places are
now a shelter of
criminals and drug
addicts. People, who are
aware about these
historical places, feel
great about such
monuments in the heart
of the city, and want to
protect it for the
coming generation.
3 January 2010,
Pioneer
Delhi
ranks third in survey on
forest cover density

Despite pressing
needs for land in
various developmental
projects, the national
Capital will come third
after Lakshwadeep and
Chandigarh in terms of
percentage of
geographical area under
tree cover.
"Considering the
percentage of
geographical area under
tree cover, the highest
rank goes to Lakshwadeep
(12.50 per cent)
followed by Chandigarh
(9.65 per cent) and
Delhi (8.29 per cent),"
according to a forest
survey, the report of
which was released
recently.
Daman and Diu ranks
fourth at 8.04 per cent
while Goa (7.73 per
cent) and Kerala (7.21
per cent) come fifth and
sixth, the report said,
while giving
comprehensive details on
forest status of the
states as in 2007. Delhi
has a total geographical
area 1,483.01 sq km of
which 123 sq km is under
tree cover.
The India State of
Forest Report 2009 said
while the forest cover
increased slightly by 14
sq km, the capital
city's tree cover rose
by 16 sq km from 107 sq
km to 123 sq km during
the two-year period
mainly due to extensive
plantation carried out
by the state government.
Overall, Delhi's forest
and tree cover have
increased to 176.58 sq
km between 2005 and
2007, thereby
constituting 20.2 per
cent of the total
geographical area of the
capital city.
Tree cover comprises
patches outside the
recorded forest area
exclusive of forest
cover and less than
minimum mappable area
(one hectare). Such
small patches comprising
block, linear and
scattered trees are not
delineated as forest
cover during
interpretation of
satellite data. The
forest cover alone
constitutes 11.91 per
cent of the total
1483.01 square km
geographical area, and
comprises 6.76 sq km
very dense forest (as
against previous nil),
49.84 sq km moderately
dense forest, and 119.98
sq km open forest.
New Delhi district also
known as Lutyens' Delhi
has the highest forest
cover at 46.60 per cent
of geographical area,
followed by South Delhi
(31.46 per cent) and
South-West Delhi (10.08
per cent). However, when
compared to 2005, there
was no change in the
green cover status in
central, south, west,
south-west and New Delhi
districts in 2007.
East Delhi has shown a
decline of 0.29 sq km
because of tree felling
needed to pave way for
developmental projects.
Tree cover in the
country has been
estimated to be 92,769
sq km in 2007 which is
2.82 per cent of the
geographical area
against 91,663 sq km
(2.80 per cent) in 2005.
Tree cover constitutes
the largest area in
Maharashtra (9,466 sq
km) followed by Gujarat
(8,390 sq km), Rajasthan
(8,274 sq km) and Uttar
Pradesh (7,381 sq km).
NTPC
signs MoU with ASI and
National Culture Fund

NTPC has signed an MOU
with Archaeological
Survey of India and
National Culture Fund
for restoration,
conservation and
development of group of
monuments at Mandu in
M.P, group of temples at
Jageshwar in Uttrak-
hand and Archaeological
site at Lalitgiri,
Dhauli in Orissa. The
MoU was signed by K.N.
Shrivastava, Director
General, ASI, Amaresh
Singh, Member Secretary,
National Culture Fund
and Dinesh Agarwal
General Manager,
Corporate Social
Responsibility, NTPC.
Jawahar Sarkar,
Secretary, Culture was
also present.
Speaking on the occasion
A.C. Chaturvedi,
Executive Director (CSR)
NTPC said that NTPC is
committed to
contributing in
conserving the culture
heritage sites which is
our national treasure.
5 January 2010,
Hindustan Times
Little pockets of
history

Showing respect
to the dead is common to
societies across the
world. “Speak not ill of
the dead” is what we are
taught from childhood.
“Let them rest in peace”
comes instantly to mind
as we pass a grave.
Encroaching and
vandalising their final
resting place can,
therefore, be viewed as
sacrilege. Shakespeare
sounded a grim warning
in the epitaph inscribed
on his gravestone at the
Holy Trinity Church in
Stratford-upon-Avon in
England: Good friend for
Jesus sake forbeare,/To
dig the dust enclosed
here./Blessed be the man
that spares these
stones,/And cursed be he
that moves my bones.
Shakespeare supposedly
wrote it himself because
in his time bodies too
long in the grave were
dug up and burned to
make room for new
burials. Many Britons
(men and women) of the
Raj era would have
aspired to borrow from
his epitaph in the hope
that their final resting
places remained
untouched by
encroaching, marauding
hands. There are few
well-kept graveyards,
such as the Bhowanipore
Cemetery in Kolkata,
Viceroy Lord Elgin’s
memorial at McLeodgunj
in Himachal Pradesh, the
Nuns’ Cemetery near St
Bedes College for Women
in Simla, and the War
Cemeteries at Kohima,
Delhi, Pune and Comilla
in Bangladesh. Most,
however, have fallen
prey to encroachment,
vandalism and pilferage.
Some have disappeared
due to the vagaries of
nature or to the greed
for land. It is the same
story from Peshawar to
Chittagong, Baramula to
Trivandrum. Peshawar’s
Gora Qabristan, witness
to the Afghan Wars, and
the cantonment cemetery
in Meerut, where the
Indian Uprising of 1857
began, are typical of
the decay now facing old
British graves.
As a result, it is
nearly impossible to put
an exact number to, far
less to decipher the
inscriptions on them.
Criminals take away
headstones making
identification
difficult. Non-British
cemeteries have fared no
better. The Jewish
Cemetery, located off
Lloyd’s Road in Chennai,
is adjacent to the
Chinese Cemetery and
both have clusters of
vegetable vendors and
squatters at the
entrances. Portuguese,
Spanish and French tombs
have all but disappeared
from Indian soil.
Whereas most of the
inscriptions on the
gravestones speak of the
survivors’ grief and
loss, some speak of the
vanity of their
occupants, ignoring
Thomas Gray’s famous
elegy: The paths of
glory lead but to the
grave. In most cases,
the tombstones are not
of Viceroys or the other
high and mighty of the
Raj but of countless
British civil servants,
soldiers, merchants,
missionaries,
townspeople and
teachers, their spouses
and children, most of
whom succumbed not to
the sword but to
tropical diseases. They
are all part of India’s
past. If some headstones
contain doggerel, we
also come across some
fine quotes and original
compositions. At least
some of the tombs can
claim to be fair
representatives of
Indo-European
architecture.
Much has been lost,
but not all. If properly
maintained, these
cemeteries can become
virtual “al fresco
museums”. Taking care of
these graves has become
nobody’s baby. Lack of
interest and resources
lie behind this callous
neglect. But it is more
a question of mindset.
Local sensitivities
have, of course, to be
taken care of. Indians
and their
representatives in
Parliament and
government have to be
sensitised to the fact
that conservation of the
Raj era cemeteries is
not meant to glorify and
perpetuate British
imperial history but to
give us a valuable
perspective on India’s
heritage. We have to
look at these graveyards
as “little pockets of
history”, a who’s who of
the Raj. However much we
may resent British rule
in India, we cannot wish
it away. The
conservation of these
tombs and cemeteries is
simply beyond the
capacity of local church
committees. A concerted
effort is called for
lest this valuable
source of history be
lost for ever. Sadly, in
India the Central and
State Minority
Commissions and the
nominated Anglo-Indian
members of state
assemblies have been
indifferent. The least
they can do is pressure
the government to have
pucca boundary walls
erected to prevent
further encroachment as
the hunger for land can
drive people to any
lengths.
The British
Association for
Cemeteries in South
Asia, a London-based
charity, has done a
great job in listing a
large number of graves
and even pays for the
upkeep of some. Lately,
Lt-Col Lake has launched
a trust in the UK with
an ambitious target to
raise £700,000 a year
from corporate donors
such as HSBC,
Rothschild, Lloyds and
other major foundations
so that these places can
be mainbtained in
perpetuity throughout
the erstwhile British
empire. India-based NGOs
and public authorities
may also pitch in and
play a coordinating
role.
An estimated two
million graves of the
Raj era, lying in
isolation or in clusters
in designated
cemeteries, dot the
Indian subcontinent. If
the government can
catalogue and put them
on the net, many of the
present generation in
Britain may want to
visit India to connect
with their ancestors and
put a wreath on their
tombs. In the process
they will be unwittingly
promoting what can be
crudely termed
“graveyard tourism”.
Most importantly, we
must create public
awareness about dignity
of the dead for, to
borrow from the epitaph
on Viceroy Lord Elgin’s
grave, He being dead yet
speaketh
5 January 2010,
Statement
HRD
ministry for Jan 12 as
Heritage Day

In an effort to
sensitize the students
for protection of
cultural and
archeological monuments
in the country, the
Union human resource
development ministry has
directed higher
education institutions
across the country to
celebrate January 12 as
Heritage Day for the
first time from this
year. Official sources
said that students will
take an oath to protect
the heritage and
monuments of the country
on the day.
5 January 2010, Asian
Age
Tiger project: Jairam
for World Bank aid, to
meet conservationists

A year after
India decided to refuse
World Bank aid for tiger
conservation, Ministry
of Environment and
Forests is considering
accepting aid from the
Bank for moving forest
dwellers out of tiger
reserves.Initial
discussions within the
ministry have not found
favour with
conservationists, who
stress that World Bank,
which has a poor history
in implementing projects
in protected areas,
should not be looked at
as an option.
Environment Minister
Jairam Ramesh has now
asked for a meeting with
conservationists on
Wednesday to discuss the
issue.
The ministry is
mulling the possibility
of a loan from the Bank
to move forest dwelling
families out of
core/critical areas of
tiger reserves. An
amendment to Wildlife
Protection Act in 2006
mandates moving out
these families, around
80,000 in number, with
the population only
growing. The Ministry of
Environment and Forests
has offered a package of
Rs 10 lakh for each male
adult in every family.
Last year, the World
Bank announced a Global
Tiger Initiative,
expressing its desire to
also work with India.
There were talks with
the World Bank for
taking aid for tiger
conservation, but this
was finally turned down
after protests by
conservationists.
In the past, the
World Bank-funded
Ecodevelopment Project
(EDP) (1997-2003)
implemented in several
tiger reserves had drawn
severe criticism. A
probe in an EDP project
for Nagarhole Tiger
reserve revealed the
project had run into
losses, as tiger
protection took a
beating in lieu of
ecodevelopment. There
were also allegations of
corruption.
The ministry has,
meanwhile, confirmed
that it is taking World
Bank loan for cleaning
the Ganga. A decision on
taking aid for tiger
conservation is expected
on Wednesday.
5 January 2010,
Indian Express
MCD seeks
more funds for
Old Delhi

The Municipal
Corporation of
Delhi (MCD) is
planning to seek
more funds from
the government
for
redevelopment of
the Walled City
in view of the
Commonwealth
Games 2010.
Municipal
councillors have
alleged that
scarcity of
funds has led to
the neglect of
heritage
projects in
Shahjahanabad
and the Walled
City area.
Leader of MCD
House Subhash
Arya said:
‘‘While over Rs
500 crore has
been given to
NDMC for
development of
CP and other
areas under
them, we have
not got any
funds for
redevelopment of
Old Delhi which
will be one of
the main tourist
attractions
during the
Games. We are
going to demand
more funds from
the government
for development
of the Walled
City.’’ The MCD
has been
allocated Rs
1,500 crore for
the Games till
date.
Meanwhile, a
number of
councillors, on
Monday,
expressed the
need for
creating a
special task
force for
completing
Commonwealth
Games (CWG)
related projects
as many of them
are falling
behind schedule.
Councillors said
sanitation
condition in the
city was
worsening and
special
attention needed
to be given to
improve it
before the
Games. MCD is
responsible for
sanitation and
collection of
garbage around
some of the
Games venues for
which they have
not yet come up
with
comprehensive
plan.
MCD commissioner
K S Mehra said
most projects
under MCD would
be completed by
June 2010. ‘Plan
for
redevelopment of
Shyama Prasad
Mukherjee Marg,
Jawaharlal Nehru
Marg and
Maharaja Agrasen
Marg in Old
Delhi areas are
awaiting
approval,” he
said..
5 January 2010,
Times City, Times of
India
Bio-piracy
next bone of
contention
between rich,
developing
nations

Post-Copenhagen,
in the
International
Year of
Biodiversity,
the issue of
bio-piracy is
all set to be
the next bone of
contention
between the
developed and
developing
countries.
India on Monday
sought to assume
a “leadership
role” in the
global
biodiversity
conservation
efforts by
asserting it
will push for
the adoption of
the Access and
Benefit Sharing
(ABS) protocol
at the
International
Convention on
Biological
Diversity (CBD)
at Nagoya
(Japan) in
October this
year.
The ABS protocol
provides an
opportunity to
biodiversity-rich
countries like
India to realise
benefits for its
people from the
use of
biodiversity.
The adoption of
the ABS protocol
is one of the
major items for
consideration in
Nagoya where as
many as 3,600
texts will be
negotiated.
“Bio-piracy is
most important
for India and
that’s why we’re
particularly
keen on the
Nagoya
convention,”
Environment
Minister Jairam
Ramesh told
mediapersons as
he unveiled a
list of India’s
“11 goals” to
meet the 2010
global
biodiversity
target.
The 2002 CBD had
agreed to the
2010 target for
achieving three
main goals:
Conservation of
biological
biodiversity,
sustainable use
of its
components, and
fair and
equitable
sharing of its
benefits from
the use of
genetic
resources. The
goals were set
out during the
1992 Rio De
Janeiro Earth
Summit.
Ramesh said
India’s
multi-lingual
Traditional
Knowledge
Digital Library
(TKDL), which
has over 2 lakh
formulations of
Ayurveda,
Siddha, Unani
and Yoga, is an
effort to
protect our
traditional
knowledge,
medicine and
yoga postures
from
misappropriation
through patents
granted abroad
as had happened
with the use of
neem and haldi.
India has
granted European
Patent Office
access to TKDL
to evaluate the
patent
applications and
attempts to
patent
traditional
knowledge as
‘new’
inventions. A
similar
agreement has
been signed with
the US Patent
and Trademark
Office during
Obama-Manmohan
Singh summit
last year
(USPTO). Similar
agreements are
being negotiated
with other
countries, the
Minister said
even while
pointing out to
the resultant
achievements.
A People’s
Register of
Biodiversity to
document and
protect
traditional
knowledge
(passed down
through oral
tradition) too
will be set up,
he said.
Interestingly,
unlike climate
change, there is
a role reversal
on the issue of
biodiversity.
India and other
developing
countries are
pushing for the
legally-binding
ABS protocol.
But developed
nations are
opposing such a
legal framework.
This is in sharp
contrast to
their
positioning on
climate change
wherein
developing
countries are
opposing a
legally binding
protocol while
the rich nations
are all for it.
However, just as
Copenhagen,
Nagoya too is
unlikely to
evolve a
consesus.
Ramesh said
India will host
the ‘Rio+20 CBD’
conference in
New Delhi in
October, 2012 to
mark the 20th
anniversary of
the Earth Summit
besides
showcasing its
“commitment to
playing a global
leadership role
in biodiversity
conservation”.
India’s 11 goals
include
promoting
conservation of
biological
diversity of
ecosystems,
habitats and
biomes,
conservation of
species and
genetic
diversity and
sustainable use
and consumption;
and protecting
traditional
knowledge,
innovations and
practices among
others..
ASI plans to
hike fee for
film shoot

New
Delhi: Shooting
movies in
Centrallyprotected
monuments will
soon become a
very costly
affair. With the
aim to generate
more funds for
conservation and
upkeep of such
structures,
Archaeological
Survey of India
(ASI) is
planning to
amend the 1959
Act so that it
can increase the
fee for film
shooting. ASI is
also planning to
charge royalty
from all those
who feature
protected
monuments in
advertisements,
books, stamps,
postcards.
Director-general
K N Shrivastava
said: ‘‘These
proposals are
still in the
discussion stage
at the moment.
But there is an
urgent need to
charge more for
film shootings.
The producers
make crores in
revenue but the
ASI only gets Rs
5000 per day per
monument. The
funds from this
will be utilized
for the
maintenance and
upkeep of
monuments.’’
While the new
charges that
will be levied
for film
shooting have
not been decided
yet, sources
said it could be
as high as up to
Rs 2 to 5 lakh
per day.
But there is
some good news
in store. While
still
photography is
not chargeable
at monuments as
many visitors
bring small
cameras and even
mobile phones
have
sophisticated
cameras built
within, ASI is
planning to
waive all
charges for
professional
still
photography
where
photographers
use tripods to
shoot. ‘‘There
is a small
license fee
chargeable for
professional
still
photography
which we are
considering to
waive off,’’
said
Shrivastava.
ASI is also
contemplating to
increase the
security deposit
for film
shooting to
about Rs 1 lakh
per day. At
present, the
security deposit
is Rs 10,000 per
day.
Penalty for film
shooting without
permission,
which is at
present Rs 5000,
could also be
revised.
Charging
royalties for
featuring
protected
monuments,
especially
famous world
heritage sites
like Taj Mahal,
Red Fort, Qutub
Minar, etc., in
the background
is likely to
bring in several
crores of
revenues to ASI
if implemented.
‘‘Monuments
being used in
the backdrop of
advertisements
especially is a
very common
practice, but
ASI does not get
any revenue from
it. We spend
crores for
maintaining
protected sites
and we can
charge a small
percentage of
the revenue
advertisers make
from it,’’ said
a source.
The moves come
with heritage
sites becoming
the flavour of
the season for
many
tele-serials and
films. Sites
like Qutub
complex, Red
Fort, Humayun’s
Tomb and Purana
Qila are much in
demand. ASI
officials say
they get about a
hundred requests
for shooting in
protected
monuments every
month but
permission is
given only after
ensuring that
visitors’
movement is not
affected during
the shooting and
that monuments
are not harmed..
6 January 2010,
Times City, Times of
India
Chambal
expedition finds
gharial
population
stable

In
December 2009, a
six-member team
had surveyed a
specific stretch
of 100 km along
the Chambal
River over 11
days. The
documentation
involved
estimating
gharial and
mugger numbers,
quantification
of threats
against them,
assessing land
use patterns
along the banks
of the river,
recording the
flora of the
area and
gathering the
socio-economic
status of
villages along
the Rajasthan
side.
The segment
surveyed during
the expedition
is the first 100
km from Pali —
heading
downstream
towards a
village called
Khirkan. This
expedition was
the third of its
kind after two
previous surveys
— done in
January and
December 2008 —
initiated by
Tiger Watch, an
NGO working in
Ranthambhore.
The expedition
ended with a
total count of
122 gharials,
103 muggers and
one dead mugger.
The gharial is a
critically
endangered
species under
the
International
Union for
Conservation of
Nature (IUCN).
Recently, this
species has
moved from
‘Endangered’ to
‘Critically
Endangered’ on
the 2007 Red
List, issued by
the World
Conservation
Union, of
species of
animals and
plants in
trouble. It
qualifies for
protection under
the Convention
on International
Trade of
Endangered
Species (CITES)
Appendix II.
The Chambal
River is a
tributary of the
Yamuna in
central India.
The river flows
north-northeast
through Madhya
Pradesh and
enters Rajasthan
- forming the
boundary between
Rajasthan and
Madhya Pradesh -
before turning
southeast to
join the Yamuna
in Uttar
Pradesh.
It is a
perennial river
and originates
at Manpura,
south of Mhow
town, near
Indore, on the
south slope of
the Vindhya
Range in Madhya
Pradesh.
The Chambal and
its tributaries
drain the Malwa
region of
northwestern
Madhya Pradesh
while its
tributary, the
‘Banas,’ which
rises in the
Aravali Range,
drains
southeastern
Rajasthan.
The expedition
team members
included Arjun
Srivatsha,
Suyash Katdare,
Sujay Kotian,
Vishal Rashal,
Alok and Sojanya
Srivastava.
6 January 2010,
Pioneer
WANNA PLAY
CRICKET IN A
RUIN?

This little
visited
destination in
the heart of
south Delhi is
simple, yet
grand
You
do not expect a
short flight of
stairs to lead
into this vast
arcaded
courtyard. The
mid -14th
century
Begumpuri
mosque, near
Sarvapriya Vihar
in South Delhi,
is grand, simple
and rundown. The
pillars are
massive but with
hardly any
design etchings
on the arches
and columns.
Raised on a
plinth, the
mosque's main
entrance, on the
eastern side,
faces the
unaesthetic
skyline of the
Begumpuri
village that is
easy to ignore
once you enter.
The courtyard's
calm makes the
congested world
outside seem
unreal. And the
domes completely
take you in.
There are 44
domed
compartments on
three sides. The
Mecca-facing
Western side has
a prayer chamber
as well as the
building's
central arch --
flanked by
sloping
buttresses with
in-built winding
staircases.
Feel free to
climb. The view
of the courtyard
clashes with
that of the
village's -
clotheslines,
water tanks and
cow dung
patties.
Built by a
Tughlaq-era
minister, Khan
Jahan Junan
Shah, Begumpuri
Masjid probably
served as the
principal Friday
mosque during
the reign of
Mohammad
Tughlaq. Owing
to the anarchic
times of 18th
century Delhi,
vulnerable
communities had
moved inside the
mosque and a
village had
sprung up, which
was cleared off
by the
Archaeological
Survey of India
in the 1920s.
Today the mosque
is dead.
Prayers have
been
discontinued,
the walls are
broken, parts of
the roof have
collapsed and
the stonework
has blackened.
Goats graze,
chickens squeak,
village boys
play cricket and
lovers scrawl `I
love you'
messages.
Rarely visited
by group tours,
the absence of
touts and
souvenir sellers
makes an
excursion here
more intense
than in Delhi's
more popular
ruins.
Where Begumpur
Village,
Sarvapriya
Vihar, near IIT
7 January 2010,
Hindustan Times
Funds crunch
may derail Jama
Masjid’s CWG
makeover

The
ambitious Jama
Masjid
redevelopment
project of the
Municipal
Corporation of
Delhi is
battling a funds
crunch and may
not be completed
before the
Commonwealth
Games this year.
According to
sources, the
civic body is
yet to receive
funds for the
project
notwithstanding
the fact that
Municipal
Commissioner KS
Mehra had
recently written
to the Lt
Governor seeking
Rs 20 crore in
additional funds
for the project
while the Delhi
Government also
said it will
fund one-third
of the total
cost.
"We are hopeful
that the funds
will be made
available soon.
We will divide
the work in
phases so that
at least some
part is
completed before
the Games," said
Mehra. The
project received
a nod from the
Delhi Urban Arts
Commission after
many alterations
in its plan,
which included
doing away with
a proposed
underground
parking and a
heritage mall to
preserve the
original
character of the
historic area.
The civic body
now says that
the sensitive
project should
not have been
linked to the
Games as it took
a long time to
persuade the
main
stakeholders,
the shopkeepers
of Meena Bazaar
and Dargah
Sheikh
Kallimullah.
7 January 2010,
Pioneer
‘Wildlife
protection
bigger problem’

Conserving
wildlife is a
bigger problem
than protecting
human beings,
who do not face
dwindling
population,
Environment
Minister Jairam
Ramesh said on
Wednesday but
quickly amended
his remarks
noting that the
Government was
concerned over
several human
deaths in animal
attacks.
“There are a few
animals in the
country which
need to be
saved. But there
is no such
problem with
humans. We have
high per
capita,” he said
referring to the
huge population
in the country.
Ramesh was
replying to a
reporter’s query
at a function on
what steps were
being taken to
save human lives
from animal
attacks. He said
the function was
related to tiger
conservation and
not “human
conservation”.
However, when it
was brought to
his notice that
several people
had died in
man-animal
conflicts inside
and outside the
reserves and
sanctuaries
across the
country, Ramesh
quickly said,
“Yes, it is a
serious issue.
We are concerned
about it”.
Man-animal
conflict is
emerging as a
major concern
for the States
in the recent
years. For
instance, nearly
45 people have
been killed by
leopards across
the country in
the last three
years.
Degrading
habitat and poor
food
availability
often force wild
animals towards
human habitat,
resulting in the
loss. The States
have been
compensating for
the loss in
terms of money
but they now
find it
difficult to
meet the rising
demands for
financial
relief.
7 January 2010,
Pioneer
Games
deadline
unrealistic,
says MCD

While
work is yet to
begin on the
planned makeover
for the historic
Jama Masjid
precinct, the
ambitious
redevelopment
project has
already run
aground. The
Municipal
Corporation of
Delhi (MCD) has
now admitted it
will not be able
to complete the
redevelopment
work in time for
the Commonwealth
Games this year.
Although MCD
Commissioner K S
Mehra maintains
that the delay
of over two
years has been
caused by a
combination of
factors like
problems in
getting the
necessary
clearances and
“funding
issues”, sources
in the MCD said
one of the main
reasons for the
delay is a
paucity of
funds.
Mehra had also
recently written
to
Lieutenant-Governor
Tejendra Khanna
seeking Rs 20
crore as
additional funds
for the project.
The Delhi
government too
had committed to
fund one-third
of the total
project cost. It
has, however,
not released any
funds yet.
“While there is
not enough
funding for the
redevelopment
work right now,
efforts are
being made to
arrange for the
same. Once the
state government
releases the
money, we will
work
accordingly,” an
MCD official
said.
The civic body
as well as
planners in
charge of the
project,
meanwhile, said
the Jama Masjid
project should
not have been
linked to the
Games. “It was
too ambitious on
the part of the
administration
to have linked
it to the Games.
Jama Masjid
redevelopment is
a large-scale
and very
sensitive
project. Even if
we had the funds
available on
time, the
Commonwealth
Games deadline
would still have
been
unrealistic,”
the official
added.
The Corporation
has, however,
decided to begin
“preliminary
work” on the
project.
According to the
plan, the MCD
will make site
visits to the
Jama Masjid
precinct next
week and begin
work like
“cleaning up the
area and putting
up boards that
will depict what
the area is
going to look
like after the
makeover”.
The
supplementary
plan of
redeveloping
neighbouring
areas like
Subhash Marg
have been
submitted with
the Unified
Traffic and
Transportation
Infrastructure
Planning and
Engineering
Centre (UTIPEC)
and is likely to
be considered
for approval
next week.
The MCD has also
finally managed
to the two major
stakeholders of
the project —
over 633
shopkeepers of
Meena Bazaar and
the shopkeepers
of Dargah Sheikh
Kallimullah — to
arrive at a
consensus. “It
took us around
50 odd meetings
with them to
finally get a
consensus on the
redevelopment
plan,” the MCD
official said.
The MCD had, in
May last year,
managed an
approval from
the Delhi Urban
Art Commission
(DUAC) for the
plan. Much of
their original
plan that
boasted of an
underground
parking space
and a heritage
mall was,
however, done
away with as
both the DUAC
and the
Archaeological
Survey of India
(ASI) insisted
on minimum
intervention in
the sensitive
zone to preserve
its glory.
While the agency
agreed to do
away with
underground
parking, the
proposed
shopping complex
in the basement
around the
mosque will now
be at the same
level as Meena
Bazar.
The final plan
will cost MCD Rs
150 crores.
Civic body
behind schedule
in most
Games-related
work, says
Opposition in
MCD
Members of the
opposition
Congress in the
MCD have alleged
that the agency
has failed to
achieve the
desired level of
progress in work
for the
Commonwealth
Games due to a
lack of
motivation and
carelessness.
During a special
review meeting
on Wednesday,
Leader of
Opposition J K
Sharma alleged
the MCD had
failed to meet
deadlines of
most projects.
Out of 16
projects for
railway
underbridges or
overbridges,
work has begun
on only five, he
added. “Only 50
percent of work
related to
covering Kushak
and Sunehere
Nallah has been
done so far.
Work on most
automated
parking lots
across Delhi is
yet to begin,”
Sharma said. The
members added
that the MCD has
also failed to
perform in areas
like sanitation,
health and
education.
“Three sanitary
landfill sites
at Bhalaswa,
Ghazipur and
Okhla are filled
beyond capacity.
It has also
failed to
provide
electricity,
drinking water
and toilets in
schools.”
Culture
cauldron

Handicrafts from
various
countries got an
exuberant
response from
the shoppers at
Dilli Haat
Pulsating
colours and a
live qawalli
performance took
the shoppers by
surprise at
Dastkari Haat in
Dilli Haat where
handicrafts from
various
countries like
Pakistan,
Bhutan, Nepal,
Tibet, Sri Lanka
and Afghanistan
were displayed.
The exquisite
crafts and
cultural
features of
South Asian
countries were a
delight to
watch.
The sellers, who
had come from
foreign lands to
showcase the
craft of their
countries, were
thrilled by the
exuberant
response of the
shoppers. One of
the sellers Dawa
Dolma from Tibet
said, “We have
come to know
that Indian
craft is very
close to the
craft of our
country and also
got to know
about the
various crafts
of other
countries. Its
very nice to
know that India
is so rich and
diverse and it
has so much to
offer not only
in terms of art
but also the
warmth. A lot of
people shoed
interest in our
craft and asked
us to come here
again. Among
others, I really
like the truck
art from
Pakistan. The
delicate art
works from Nepal
and the purses
made of dried
grass at the
stall of Sri
Lanka are also
good.”
The Tibetan
stall was
covered with
wall hangings
depicting of
Buddha
incarnation. “It
is called
‘thangka’ and is
believed to
bring peace,
prosperity and
good luck and is
mostly found in
all the houses
in our country,”
said Dolma,
stall owner.
There were
manifestations
of snow lions
also.
The truck art
from Pakistan
with slogans
like ‘Horn Ok
Please’ was
innovative. The
lanterns and
cutlery items
—all had a
glimpse of this
truck art. “Our
perspective is
to spread this
simple yet very
unique place to
exhibit our
art”, said
Kiran, the stall
owner.
The stall from
Nepal which was
manned by Muna
Shrestha looked
delicate. “The
Goods displayed
were made by
hand,” Shrestha
said.
“The concept
behind
organizing this
is that people
from various
countries come
to know about
the arts of our
country which is
very similar to
the art of our
country”, said
Jaya Jaitley,
founder of Dilli
Haat and
Dastkari Haat
Samiti.
Minister of
state for
external affairs
Shashi Tharoor,
who inaugurated
the exhibition
said, “I love
the place my
self and my
wife, who is a
foreigner,
actually thought
that the name
was Dilli Heart
and not Haat and
rightfully so! I
find this South
Asian Women for
peace and
creativity very
important as
networks built
by women are
more enduring.
Moreover the
products made of
natural fibres
will get an
exposure they
have deserved
since a very
long time.”
8 January 2010,
Pioneer
Govt refuses
WB help for
tiger
conservation

The
environment
ministry has
again said that
it would not
seek loans and
financial
support from
World Bank to
protect the
tiger.
The ministry
had, coinciding
with the recent
visit of World
Bank president
Robert B
Zoellick to
India, begun to
rethink its
year-old
position on the
offer from the
Bank to fund
activities under
the National
Tiger
Conservation
Authority. But
on Wednesday,
with most of
tiger
conservationists
in the country
protesting the
move, minister
Jairam Ramesh
decided to
shelve the
proposal yet
again.
In June 2008,
World Bank
launched a
global Tiger
Conservation
Initiative. It
had approached
the Indian
government at
that point
asking it to
join in. After
deliberations
within the
government, in
which the PMO
too was
involved, it was
decided that the
government did
not require
either technical
assistance or
funds of the
Bank.
The government
had considered
World Bank’s
chequered
history with
tiger
conservation and
relocation and
decided that it
would not be
advisable to
take up the Bank
on its offer.
The Bank, on the
other hand, was
viewed within
the government
as more than
eager to get
India on board,
as it would look
odd if the
country with the
largest wild
tiger population
in the world did
not join the
initiative.
8 January 2010,
Times of India
Lack of
funds holds up
Jama Masjid
refurbishment

The
much talked
about plan for
re-development
of the historic
Jama Masjid,
which has been
hanging fire for
over four years
since it was
conceptualised,
is yet to see
the light of day
despite being
approved by the
Delhi Urban Arts
Commission and
the Municipal
Corporation of
Delhi.
According to the
project
consultants
roped in by the
civic body, lack
of will and
availability of
funds for the
Rs.150-crore
project appears
to be the main
reason behind
the delay.
The project is
aimed at
redeveloping and
beautifying the
area around the
Jama Masjid
mosque. It was
formulated by
the civic body
after the Delhi
High Court
directed it in
2004 to conserve
and redevelop
the structure
while hearing a
public interest
litigation on
the condition of
the mosque. The
project
envisages
redevelopment of
the existing
Meena Bazar with
650 shops of
uniform size in
a single-storey
structure and a
single-storey
shopping complex
along Dargah
Sheikh
Kallimullah
besides creation
of parking lots
at Parade
Grounds and
Chandni Chowk.
‘Nothing has
moved’
An
architect
connected with
the project
said: “The DUAC
cleared the
project in June
2009 and the MCD
Standing
Committee also
gave its
go-ahead in
September 2009.
It was decided
thereafter that
a detailed
project report
would be
prepared and
work would begin
by the year end,
but nothing has
moved since then
as the MCD is
yet to take the
initiative. The
project is of
significance and
needs to be
pushed through.”
“About Rs.50
crore had also
been committed
for the project
by the Delhi
Government but
no funds have
been received
yet. We have
been informed by
the civic body
that the project
file has been
moved to the
Lieutenant-Governor’s
Office which is
expected to
clear some funds
so that the
project can
start soon. We
have already
gone beyond the
call of duty to
see this mammoth
project through
after battling
several
roadblocks and
oppositions from
various quarters
and managing to
get the major
stakeholders on
board,” he
added.
However,
Municipal
Commissioner K.
S. Mehra while
admitting that
no funds have
been received
from any party
yet, said the
reason for the
project delay
were that
approvals took
time in coming.
“The process for
calling tenders
for preparation
of the detailed
project report
is on. The
project would be
undertaken in
phases and we
would be issuing
tenders for
phase one of the
work which would
be taken up for
completion
before the
Commonwealth
Games. All
necessary
approvals have
been granted and
funds from the
Delhi Government
are awaited. The
delay occurred
not due to lack
of funds being
released but
because of
getting
approvals from
various civic
and heritage
bodies,” he
added.
8 January 2010,
Hindu
A cultural
feast at Amber
Fort

Tourists
visiting the
historic Amber
fort near here
will soon be
treated to
scintillating
cultural
programmes every
weekend. The
Rajasthan
Government’s Art
and Culture
Department and
the Amber
Development and
Management
Authority are
jointly
preparing an
outline for
these
programmes.
According to an
official
announcement
here, the
cultural
programmes will
comprise folk
music and dance,
classical
dances, ghazals
and qawwalis.
The programmes
will be
organised in the
courtyard of the
ancient fort on
Saturday and
Sunday evenings
every week.
The full-moon
nights will
witness special
events to which
famous artistes
from other
States will be
invited.
The first
programme of the
series will
feature famous
danseuse Mallika
Sarabhai.
8 January 2010,
Hindu
Love
heritage, get
better marks:
CBSE to children

Now
heritage
conservation
will be a part
of school
education. CBSE
has asked
schools to
involve their
students in the
protection of
monuments in the
vicinity and
organize
seminars,
quizzes, skits
and exhibitions
on heritage
conservation.
According to
CBSE, these
activities will
make students
more sensitive
towards heritage
and can also be
used for
continuous and
comprehensive
evaluation of
students from up
to class X for
social science.
In a circular
dated January 7,
CBSE instructed
schools to
administer an
oath to all
students on
January 12,
which will be
observed as the
Heritage Day.
The school
community will
have to pledge
to respect all
monuments, not
scribble, deface
or encroach upon
any monument and
give all
possible help to
conserve it.
‘‘The oath may
be administered
preferably at a
local monument
for which local
ASI office,
State
Archaelogical
Department or
INTACH may be
contacted by
schools,’’ CBSE
chairperson
Vineet Joshi
stated in the
circular. ‘‘The
CBSE office is
also writing
separately to
the heads of
these
organizations so
that the
monuments are
opened for visit
by the school
students.’’
CBSE has
specially
emphasised on
‘adopt a
heritage scheme’
as part of a
project in
social science
in which the
students will
have to adopt a
historical
building in the
neighbourhood
and create
awareness for
its
preservation.
‘‘They can act
as guides for
visitors by
taking them
around the
monument and
explain its
history,
architectural
features,
connected
stories, ethos
etc. They can
also distribute
post cards,
greeting cards
and posters to
the visitors,’’
the circular
mentioned.
Making a CD on
the monument and
collection of
archival sources
can also be
done. ‘‘Students
can show
interviews with
visitors, actual
caretakers and
those in
authority by
asking pertinent
questions,’’ it
added. The CBSE,
in fact, are
targeting not
just the
students but the
entire school
community with
the introduction
of this project.
Though this
campaign to
preserve the
monuments will
run in schools
across the
country, some
Delhi schools
have already
been involving
students in
protecting
monuments and
now plan to take
it further after
the CBSE
directive.
Said Bharti
Sharma,
principal, Amity
International
School, Saket,
‘‘Our students
have been taking
up the
conservation
work of
monuments for
many years now.
But if CBSE is
planning to
introduce it in
all schools,
heritage
conservation can
become a mass
movement.’’ She
added, ‘‘It is
heartening to
know we are
moving in the
right
direction.’’
9 January
2010, Times of
India
Preserving
heritage
Reviewed by
Gurpreet K.
Maini-Journal of
Heritage
Studies: An
Indian Journal
on Conservation,
Thomson Press.
Pages 379.
If today
graffiti is
diminishing our
monuments,
particularly the
unlisted ones,
there are fewer
‘pan’ splurges;
they are no
longer open-air
urinals or
defecating hubs,
we owe it to the
pivotal catalyst
INTACH, a
concept which
coalesced into
an NGO, seeded
by Rajiv Gandhi
and Pupul
Jayakar in 1984.
Over the years,
it grew by leaps
and bounds under
the aegis of the
present
chairman, S. K.
Mishra, who has
given it a
global facade
and
articulation.
Undoubtedly, the
ASI as a
government
functionary in
this sphere has
aimed at
conservation,
restoration and
preservation,
but INTACH has
addressed and
traversed the
unlisted
terrain.`A0It
has fine-tuned
the vital role
of
dissemination,
thus invoking an
awareness of the
hazards to our
heritage even in
the remotest
landscapes and
addressed a
totally
oblivious
clientele.
INTACH in the
25th year of its
existence
through the
publication of
their journal is
stepping beyond
the confines of
its normal
activities and
addressing the
broader canvas
of
conservation.`A0The
launch of a
journal on
heritage studies
is another
endeavour of
INTACH to bring
to the fore
inter-disciplinary
issues to the
attention of a
cross-section of
people,
particularly
those at the
helm of affairs,
for making
decisions and
policies.
From salvaging
monumental
heritage to
generating a
public
awareness,
INTACH’s ambit
of addressal has
widened and it
intends a foray
and incorporates
global
conservation
work undertaken
in the
subcontinent as
well as China,
Japan, Middle
East and South
East Asia.`A0Man
and nature,
flora and fauna,
history and
heritage are
integral
components of
conservation
which they feel
merit research
and
resolution.`A0
INTACH heralded
a new chapter in
heritage and
conservation and
brought it to
the people as an
accessible point
of
association.`A0
Similarly, the
journal is not
in the run of
the mill garb of
a staid
publication
which would be
daunting to the
general reader,
but it is in a
pleasant and
colourful dust
jacket with the
daily beat of
the inhabitants
of Delhi, i.e.,
Lodhi Gardens.
As the editor of
the journal
espouses the
aims and objects
of this series,
the crunch lies
in this that the
journal "will
help foster
dialogue with,
and create
awareness among
an audience
which could be
catalysts for
positive change.
`85 The journal
seeks to be a
bridge between
research
scholars and the
rest of the
civil society
that needs to be
alive to such
heritage
concerns."`A0It
endeavours at
creating a
platform for
networking for
groups and
individuals
involved in
heritage
concerns,
eventually these
journals will
have a
sustainable
value with their
articles as
future reference
material.
The contributors
include A.G.
Krishna Menon,
Dr Sethuraman
Suresh, Dr Meera
I. Dass,
Priyaleen Singh,
Bulu Imam, Dr
Ranju Hasini
Sahoo, Samit
Das, Manu
Bhatnagar, S.P.
Shorey, Dr Sunil
Gupta, Dr Om
Prakash Agrawal,
Dr Alok
Tripathi,
Kanchana
Mukhopadhyay and
film producer
Shyam Benegal.
The opening
article by
A.G.K. Menon
delineates the
catalyst role
INTACH has
played after the
Indian
Antiquities Act
in 1862 and the
Ancient Monument
Preservation Act
of 1904 by the
British, which
took under its
umbrage a
limited number
of monuments.
Decades later in
1984, a body
emerged and
focused on the
innumerable
number of
unprotected
monuments and
made their
protection its
mandate.`A0"INTACH
also drew
attention to the
need to protect
the
non-monumental
heritage like
historic
cities.`A0 The
presence of
INTACH
decisively
changed the
conservation
scene in India."
`A0David J.
Brown presents
the endeavours
of the National
Trust for
Historic
Preservation in
the US. This
point of view
brings to the
fore the aim of
the journal as a
networking forum
so he interacts
with his
counterparts at
INTACH.`A0Interestingly,
their pressure
group, like
INTACH, drew
inspiration from
the British
National Trust
and goes back to
1947.`A0Currently,
they have more
than 3,00,000
members, a
budget of
approximately
$52 million and
are actively
pursuing
heritage
legislation in
the Senate.
An interesting
fact emerges on
recent instances
of preservation
implemented by
the body: "In
2006, plans at
Ground Zero—the
site of the
September 11
attacks on the
World Trade
Center—called
for the
demolition of
the last
remaining
physical vestige
of the twin
towers.
Preservationists
highlighted the
threat with a
national call
for action, and
two years later
the ‘survivors’
staircase’—which
served as the
way out of the
horror of the
falling towers
for hundreds of
survivors—was
moved to
temporary
quarters and
will be restored
and maintained
as a memorial to
the courage we
all saw on that
terrible day."
The work
undertaken by
them that he
delineates bears
a striking
similarity to
the path
traversed by
INTACH.
From the broader
modalities, the
journal focuses
on specificities
and localities
which are
significant case
studies like the
study of
conservation of
Chola paintings
in the
Brhadisvara
Temple`A0by Dr
Sethuraman
Suresh; the
Integrated
Development Plan
of Mahakal
Virasat Kshetra
at Ujjain by Dr
Meera I. Dass
and Priya
Saxena, fighting
for flowers
along the
Damodar River;
the Zonal
Anthropological
Museum and the
Tribal Painters
of Bastar by Dr
Ranju Hasini
Sahoo; the
Development of
Santiniketan
Architecture by
Samit Das; and
the System of
Traditional
Weather
Forecasting in
Jaisalmer
district by Manu
Bhatnagar.`A0In
Part III,
specific
conservation and
restoration
projects have
been compiled by
Divay Gupta done
by INTACH.
Amidst these
specific case
studies, there
are generalist
studies on
conserving
historic
gardens, world
heritage cities,
salvaging roads,
under water
cultural
heritage and
last but not
least, there is
an article by
Shyam Benegal on
‘Cinema,
Television and
Social
Responsibility’.
This valuable
tome has two
books reviews
and Part IV
delineates a
biographical
timeline of
INTACH.`A0It is
remarkable that
within 379
pages, there is
a diverse range
of expertise
which converges
on conservation
and
preservation.
10 January 2010,
The Tribune
|
The medieval
mystique of
Orchha
Hugh and Colleen
Gantzer visit
Orchha in Madhya
Pradesh that was
once ruled by
the mighty
Bundelas
It is a citadel
and a city like
no other we’ve
seen. The
citadel rises on
an island. On
both sides of it
flow two arms of
the Betwa River,
protecting it
like a moat. And
out of the rocks
and
custard-apple
thickets of the
island, hulking
forbiddingly, is
the walled
fort-palace
complex of the
Bundelas. It
looks like
something out of
an Indian Lord
of the Rings
fantasy, or a
Harry Potter
setting. And yes
indeed, it is
wreathed in just
as many dark and
haunted tales.
It’s in an
off-the-beaten-track
hamlet in Madhya
Pradesh called
Orchha. The
citadel and the
fort-palace
complex were
built by a
dynasty called
the Bundelas in
the 16th
century. They
wanted to tell
the Great Mughal
in Delhi that
they, too, were
a power to be
reckoned with.
Not quite
defiant but not
to be taken for
granted. So when
Akbar’s son,
Salim, revolted
against his
father, he fled
to Orchha. He
also asked one
of the Bundela
princes to bring
him the head of
Afzal Khan on a
platter his
father’s loyal
adviser. This
was done by the
ambitious prince
Bir Singh.
Later, when
Salim ascended
the throne of
Delhi and took
the royal name
of Jehangir, he
rewarded prince
Bir Singh by
making him the
ruler of Orchha.
The legitimate
ruler, Bir
Singh’s elder
brother, was
given another
state, Chanderi.
That, in short,
was the bloody
baptism of
Orchha.
Even today, when
the days of
princes and
their vast
states have
passed, the
people of Orchha
seem to be a
contented lot.
We walked around
the citadel,
admired the
frescoes in its
royal chambers;
saw the
strategically
placed mirrors
in the pleasure
apartment on the
terrace, the
Sheesh Mahal;
visited the
high-roofed
stables that
once, we were
assured, held
camels and
elephants;
admired the
sybaritic bath
house, the
Hamam, hot
baths, steam
rooms, chill
pools, massage
tables, a
medieval,
sybaritic, spa
for all reasons;
and delighted in
the garden
mansion of the
talented
courtesan, Rai
Praveen. When a
royal summons
directed her to
join the harem
of the Mughal
Emperor, she
took a poem to
her powerful
admirer. Our
translation is:
She returned in
triumph to
Orchha and the
arms of her
princely lover.
Driving down
from the
citadel, across
the stone
bridge, we
visited the
impressive
Chatturbhuj
Temple. It is
dedicated to the
four-armed Lord
Vishnu but it
has many of the
aspects of a
mosque. Among
other
significant
peculiarities in
the temple, the
experts of the
Delhi School of
Architecture and
Planning point
out that:
The absence
of any carving
or
ornamentation,
the loftiness of
the ceilings,
and the
arrangement of
its sanctuary
are unusual
features in a
Hindu temple.
We clambered
down the steps
of the platform
of the temple,
wound our way
along a street
teeming with
colourful
hawkers, past a
line of
mendicants, and
entered the Ram
Raja Temple. In
the 18th
century, the
principal queen
of the ruler,
Madhukar Shah,
brought back an
image of Lord
Ram with the
intention of
installing it in
the Chatturbhuj
Temple. But
after she set it
down in a place
of honour in her
palace, the idol
could not be
shifted. And so
the Queen’s
palace became a
temple.
From this
palace-temple,
we drove up the
hill to another
unusual
structure. The
Laxminarayan
Temple is a
square structure
with a central
court holding a
shrine. Its
entrance is in
one of its
diagonals. The
outer walls of
the building are
bare but the
inner walls are
profusely
painted. There
are scenes of
war and the
depictions of an
enormous
mythological
creature
carrying
elephants in its
claws, a woman
warrior mounted
on a horse,
hunting a tiger,
two foreigners,
in breeches and
hats, drinking
at a table with
a happy dog at
their feet. It
strikes us that
this place was
built as a
breeze-trapping
gazebo and
became a temple
as an
after-thought.
Back in the
town, we joined
long lines of
devotees to
visit the
pavilion of the
revered Prince
Hardaul. He
willing drank a
cup of poison to
prove the
fidelity of his
sister-in-law.
To this day,
wedding
invitations in
this area are
given first to
this pavilion,
now a shrine.
Not far from it
is the Phul
Bagh. This
sequestered
garden, designed
by Madhukar
Shah, once had
fountains and
pools and a
place where
water showered
down from the
roof to simulate
rain: it can get
fairly hot in
Orchha. Then
there are those
twin towers,
called
Dastagirs.
Rising out of
large,
underground,
halls, these
Persian-designed
chimneys used
the suction
provided by the
wind blowing
across their
tops to draw up
the atmosphere
from the
cellars,
allowing cool
subterranean air
to rush in!
Today, the
cellars are
closed to the
public and so
the coolest
place in Orchha
is on a raft,
dodging the
white water of
the rapids, past
the
cenotaphs-tombs
of the former
Bundela rulers.
When you’re
bobbing past the
tombs think of
the belief that
sometimes, at
night, people
have heard a
spectral rider
gallop down the
roads of Orchha.
But don’t
believe this
till, one still
night, you, too,
hear the clip
clopping of a
ghostly horse’s
hoofs.
10 January 2010,
The Tribune
|
CBSE’s
heritage run

The CBSE has
launched an
educational
campaign across
all schools to
preserve and
protect the
heritage
monuments in the
country. The
CBSE has also
decided to
celebrate
January 12 as
“Heritage Day”.
The Board has
also asked
schools to
organise events
to “sensitise
the youth and
inculcate in
them a healthy
value system
towards their
own heritage”.
The project will
be part of
Continuous and
Comprehensive
Evaluation for
Class X, Vineet
Joshi,
chairperson of
CBSE said in the
circular.
10 January 2010,
Indian Express
A millennium
of magnificence
As we celebrate
a thousand years
of the ‘Big
Temple' in
Thanjavur –
Rajaraja Chola
dedicated it to
Brihadisvara,
Lord of the
Universe in 1010
– an ode to the
monument that
has never ceased
to amaze with
its simple
design,
stupendous
proportions and
grandeur
The Thanjavur
“Big Temple”
(Peria Kovil) is
one thousand
years old this
year, 2010.
Rajaraja Chola I
commissioned
this greatest
edifice of Tamil
history and
performed the
sacred
dedication of
the temple in
the year 1010,
the 25th year of
his reign. It
was the
jewel-in-the-crown
of Rajaraja, an
extraordinarily
powerful king, a
grand monarch
with a style of
his own, a
conqueror who
also understood
art and
architecture,
and a true
devotee of Siva.
It is a matter
of pride that a
Tamil king built
the finest
example of Tamil
architecture,
stupendous in
proportion, yet
simple in
design. Siva in
this temple is
known as
Brihadisvara —
the Lord of the
Universe. A
gigantic stone
“lingam” fills
the sanctum
sanctorum,
sheltered by a
vimanam
(towering roof)
which pierces
the sky at 216
feet. One can
gaze with awe at
this majestic
structure from a
distance as one
drives towards
Thanjavur.
However many
times one has
seen it, one
cannot help but
hold one's
breath in
amazement. And
as you enter its
precincts, this
temple never
fails to humble
you, for, such
is its
magnificence. It
is the perfect
tribute to the
Almighty,
ordered by a
great king and
executed by his
subjects who
contributed to
its building in
more ways than
one. To this
day, it stands
tall as a
reminder of who
we are in the
history books of
culture, art,
architecture,
religion,
language,
governance and
trade.
The temple
occupies an area
measuring about
750 feet by 400
feet, in a fort,
surrounded by a
moat. It is a
marvel of
engineering,
considering the
technology of
those ancient
times. The
towering vimanam
is built up with
stones with
bonding and
notching,
without the use
of mortar. The
topmost stone,
weighing about
80 tons, is
still a matter
of discussion
for engineers
who are baffled
as to how the
builders lifted
it to that
height without
the help of
modern
contrivances. A
charming tale is
told about a
ramp being built
from a village —
Sarapallam —
four miles away,
from where the
giant stone was
pulled up by
elephants!
Representative
craftsmanship
The
details of the
stone work of
this imposing
vimanam are
representative
of the masterly
craftsmanship of
South Indian
artisans. The
shilpi
(sculptor) and
the sthapathi
(architect) came
together to
create their
fanciful abode
for Shiva.
Naturally, the
shape had to
echo Mount
Kailash itself.
In its perfect
geometry and
distinct clarity
of lines, this
tower is
unbeatable.
Every feature of
the temple is
larger than life
— the monolithic
Nandi, the
gigantic
(12-feet high)
Dwarapalakas
(guardian
deities) and the
sculptures in
the niches
around the
central shrine.
They are
distinguished by
an elegant
simplicity in
lines and
ornamentation.
The faces of the
figures like
Dakshinamurthi
and Yogalakshmi
are beatitude in
essence.
Inside the
vimanam, there
is a hidden
corridor
surrounding the
sanctum. Rarely
open to
visitors, this
is a treasure
trove of Chola
painting and
sculpture. The
walls of this
cave-like
corridor were
plastered with
lime and used as
a large canvas
for the
paintings.
Perhaps the
subjects chosen
were dear to the
great king's
heart, for, he
was a staunch
Shaivite, a
great warrior
who took pride
in his
victories, and
was responsible
for the
renaissance of
the Bhakti
movement through
the spread of
the songs of the
saints (
Thevaram). The
paintings, which
have survived
time and a 17th
century coat of
paint, are
exquisite in
detail and
colour, and
proportion. The
colours in the
paintings are
subdued, the
lines are
delicate and the
expressions
vivid and true
to life. Figures
of
Dakshinamurthi,
Nataraja in
Thillai,
surrounded by
celestials,
dancers and
saints in a
celebration, and
Tripuranthaka,
the gigantic
warrior, are
masterpieces of
Chola painting.
The story of
Sundaramurthi
Nayanar reaching
Kailash on a
white elephant
is depicted on
another wall.
The most telling
of all is the
portraiture of
Raja Raja with
his Guru Karuvur
Devar. It was
Karuvur Devar,
the wily
administrator,
who
master-minded
the building of
the temple, and
fittingly he has
a special shrine
dedicated to him
in the outer
courtyard of the
temple. While
the sculptures
of Shiva in this
corridor are
imposing and
colossal, the
fine series of
81 karanas
(dance poses)
are superb
illustrations of
the Natya
Sastra. These
figures are much
bigger than the
dance figures in
Chidambaram and
other temples.
The renowned
historian C.
Sivaramamurthi
averred that
this group is
unique as it
depicts Shiva
himself dancing.
Plenty of
documentation
Perhaps
the most
exciting aspect
of this temple
is the vast
number of
inscriptions on
its walls which
record details
of Raja Raja's
reign as well as
that of his
successors. They
reveal that Raja
Raja endowed a
large number of
villages, money
and cattle to
the temple for
its maintenance,
daily worship,
festivals,
singing of
devotional songs
and dancing. He
and his queens
presented
fantastic gold
and gem set
jewels to the
temple. The
king's
donations, as
well as those of
his favourite
queen
Lokamahadevi,
and his sister
Kundavai are
recorded on a
slab close to
the sanctum.
Among the most
noteworthy
inscriptions is
the one about
the two streets
given over to
the occupation
of the 400
Devadasis who
were pressed
into the service
of the temple
from many
surrounding
temples of the
region. Their
names, places of
origin, the door
numbers of the
houses they
occupied are
also part of the
details
inscribed. From
the inscriptions
we gather that
the king, his
queens, and
their relatives
set the example
followed by the
nobility, the
merchants and
even soldiers,
to return to the
people what was
collected by
taxes etc., by
erecting
irrigation
canals,
hospitals,
schools,
granaries and so
on.
One of the best
bronze images of
the period is
that of
Nataraja,
referred to as
“Adavallan” in
this temple.
Raja Raja named
the currency of
his reign, a
coin, Adavallan.
Over time, many
additions and
improvements
took place in
this temple.
Sevappa Nayak,
the first of his
dynasty who
ruled Thanjavur,
built the shrine
for Murugan
(Subrahamanya)
as an integral
part of the
temple. It is a
beautiful,
elaborately-carved
stone structure,
a designer's
delight. To copy
the un-repeated
designs on each
of the short
pillars of this
shrine would
take an artist
weeks if not
months. One can
just imagine how
long the stone
chiseller would
have taken to
complete each
piece. Facing
this shrine one
can also see a
mandapamwhich
houses a Maratha
period portrait
gallery. Done as
mural paintings
but in the style
now known as
“Tanjore
painting” with
gold leaf
embossing, the
portraits of
Serfoji, his
queen and other
royals are a
feast of colour.
Magical pull
One can
spend a whole
day in the Big
Temple, and
still want to
come back to
marvel at every
detail of its
beauty. Many
kings had built
temples to Shiva
on the banks of
the Kaveri. Many
saints have sung
in praise of
these deities.
But there is
only one temple
to Brihadisvara,
and it stands
tall a thousand
years after a
devotee-king
climbed a ladder
with a copper
pot ( kalasam)
anointed with
holy water from
all the sacred
rivers, to
dedicate it to
history. Our
history!
|
ASI
outsources work
on heritage
sites to meet
Games deadline

New Delhi: As it
works overtime
to spruce up
Delhi’s
historical sites
ahead of the
Commonwealth
Games, the
Archeological
Survey of India
(ASI) is
depending
heavily on
outsiders,
generously
outsourcing work
to ‘‘heritage
contractors’’.
With
conservation
work in full
swing at over 40
monuments across
the capital, the
ASI, the apex
body for
maintaining
heritage sites,
has employed
some 10 to 15
agencies to
implement its
plans on the
ground.
Mostly roped in
from outside
Delhi, the
‘‘heritage
contractors’’,
as they are
called in
conservation
parlance, bring
with them vast
experience on
implementing
heritage
projects around
the country, ASI
officials said.
‘‘It is not a
routine practice
for us to employ
outside workers
for our projects
in Delhi, and
earlier we used
to do such work
on our own,’’
said Delhi
superintendent
archaeologist K
K Muhammad.
However, given
the paucity of
time and the
amount of work
to be completed
within the
October
deadline, it was
imperative for
the heritage
body to rope in
outsiders.
‘‘Given our
limited staff
and strength, it
was practically
impossible for
us to finish
this work on our
own. We,
therefore,
brought in
agencies who
have worked with
us earlier on
crucial
conservation
projects in
Agra, Fatehpur
Sikri and some
historical sites
in Madhya
Pradesh,’’ he
said. The
contractors, who
have been
employed
following a
bidding process,
have in turn
brought to the
restoration
sites hundreds
of labourers
from nearby
states.
‘‘At some sites
like Tughlaqabad
Fort, the
Jahapanah Wall,
Qila Rai Pithora
Wall and Najaf
Khan’s tomb,
where massive
restoration
projects are
underway, an
estimated 500
labourers are
currently
working through
these
agencies,’’
Muhammad said.
PTI
11 January
2010, Times of
India
|
CP
re-development
project up for
review

An overall
review of the
Connaught Place
re-development
project that has
been receiving
flak owing to
the handling of
the traffic flow
arrangement
leading to
massive snarls
and dipping
sales of
shopkeepers will
take place at a
high-level
meeting on
Monday.
This comes after
the traffic
police were
forced to
intervene in the
matter over the
weekend and get
the barricades
removed from a
small portion
between Minto
Road and Janpath
in the Outer
Circle and
certain sections
of the Middle
Circle where
digging work had
not started in
order to ease
traffic flow.
According to
sources, the
meeting would be
attended by
Delhi
Lieutenant-Governor
Tejendra Khanna,
Chief Secretary
Rakesh Mehta,
senior traffic
police officers
and
representatives
from the New
Delhi Municipal
Council which is
implementing the
project.
According to the
New Delhi
Traders’
Association,
which is the
biggest
stakeholder in
the project, the
review could
well mean a
re-consideration
of the
no-objection
certificate
granted by the
traffic police
to the NDMC to
go ahead with
the project.
NDTA president
Atul Bharghav
said: “It is
clear that the
project has
resulted in a
complete mess.
There has to be
a limit to which
we can allow
ourselves to be
bulldozed by the
authorities to
give in just for
the sake of the
Commonwealth
Games. We were
never taken into
confidence while
going ahead with
the project. We
were against
barricading
large parts of
CP and removal
of parking as it
would adversely
affect our
business which
is exactly what
has happened.”
“As it is the
façade
restoration work
is going on in
16 Blocks in the
Inner Circle. On
top of that the
Middle Circle
has been almost
closed owing to
digging work for
construction of
a service tunnel
and the Outer
Circle capacity
has also been
halved. In the
rush to complete
such an
ambitious
project before
the Commonwealth
Games, the NDMC
has taken on
more than it can
chew. Since CP
is a commercial
area, traffic
jams are bound
to happen if
such heavy
barricading and
parking removal
is undertaken,”
he added.
Special
Commissioner of
Police (Traffic)
Ajay Chaddha
said: “We would
be reviewing the
overall project
in the light of
the objections
being raised by
the NDTA as well
as the problems
being faced by
ordinary
commuters.”
|
ASI gets
plot next to
Humayun's Tomb
The 11-acre
area, housing
two monuments,
was being used
for commercial
activities by
the Delhi State
Bharat Scouts
and Guides
After a 12-year
battle between
the
Archaeological
Survey of India
(ASI) and the
Delhi State
Bharat Scouts
and Guides (BSG)
over an 11 acre
plot next to
Humayun’s Tomb —
which houses two
centrally-protected
monuments — the
Ministry of
Urban
Development
handed over the
land to the
heritage body on
Thursday.
Since 1997, the
ASI has been
requesting for
the possession
of the land,
owned by the
ministry. It had
filed a court
notice against
BSG for carrying
out illegal
construction and
commercial
activities.
The BSG complex,
referred to as
Bharatiyam
Complex,
currently houses
the Kunzru
Stadium, Camp
Office, VIP
Room, Sports
Complex, Bajpai
Memorial Hall
and the two
centrally-protected
monuments of
Bada Batashewala
Mahal and Chhota
Batashewala
Mahal.
In 1989, at the
time of
organising
Bharatiyam,
temporary
arrangements
were made for
the stay of
participants in
the campus. A
number of
modules (small
hutments) were
constructed
within six weeks
on the
assumption that
they will be
demolished after
the event.
But after the
event, the BSG
rented out the
modules to
several
organisations
and institutes,
including the
Indian National
Trust for Art
and Cultural
Heritage
(INTACH) for use
as office space.
In 2001, the
Parkland club
entered into a
collaboration
with the BSG to
build a club
over 1.5 acres
and operate it
on commercial
basis.
In view of these
commercial
activities,
nearly four
years ago, a
Supreme Court
appointed
Monitoring
Committee sealed
the complex. But
the modules
stand untouched
even today and
are home to
around seven
families of BSG
employees.
For years, the
complex also
played host to
students from
across the
country, who
came for the
Republic Day
functions.
Scouts and
guides camped at
the modules and
practiced at the
in-house stadium
in the complex.
The ASI raised
objections on
this too, as it
caused damage to
monuments. Over
the years, the
ASI made several
representations
for the
possession of
the land. The
Urban
Development
Ministry finally
took cognizance
of it and
officially
handed over the
complex on
January 7.
“The complex
houses two
significant 17th
Century
monuments, which
have been
ravaged due to
illegal
constructions,”
said a senior
ASI official.
“The plot stands
in the buffer
zone of the
Humayun’s Tomb,
a World Heritage
site. Now that
it has been
handed to us, we
plan to develop
it and integrate
it with the
Humayun’s Tomb
complex.”
Currently, the
Humayun’s Tomb
Complex,
monuments of
Sunder Nursery
and other
monuments stand
disconnected.
“The original
linkages have
broken as a
result of
subdivision of
land,” he said,
“which has
denied the World
Heritage Site
its rightful
setting and
gives a false
impression that
it stands in an
isolated
context.”
The decision
will provide a
fillip to the
Nizamuddin area,
including the
Humayun’s Tomb
Complex, which
is being
redeveloped by
the Aga Khan
Trust for
Culture on
behalf of the
ASI.
The historic
landscape can be
restored and
additional
facilities
added, the
official said.
“For the one
million people
who visit
Humayun’s Tomb
every year, it
will enhance
their experience
and provide
visual and
physical
connectivity
between these
cultural sites.”
It will also
enable a 16th
Century heritage
trail and expand
the World
Heritage Site
boundaries.
Excavations in
the area are
expected to
reveal
foundations of
several
monuments,
enclosure walls
and the original
context of the
whole site, ASI
officials said.
This
archaeological
zone is also
considered
significant
owing to its
proximity to the
Grand Trunk
Road, the Dargah
and Chillgah of
Hazrat
Nizamuddin
Auliya and
several early
Mughal
buildings.
11 January
2010, Indian
Express
|
Showcasing
world’s
monumental
legacy
A photography
exhibition
brings 25 world
heritage sites
in Mexico to
Delhi
Instituto
Cervantes is
hosting a
photography
exhibition of
the world
heritage sites
in Mexico at its
Hanuman Road
premises here.
The exhibition,
which opened on
Monday and is on
view up to
January 31,
showcases
photographs of
25 sites
recognised by
UNESCO in
Mexico. They
include the
archaeological
zone of Monte
Alban (Oaxaca),
the pre-Hispanic
cities of
Teoltihuacan
(State of
Mexico),
Xochimilco
(Mexico City),
Sian Ka’an
(Quintana Roo),
Fortune Teller
pyramid (City
Uxmal), Tajin
(Veracruz) and
the Luis
Barragan house
and studio
(Mexico City)
among others.
The 1972 UNESCO
Convention for
protection of
world cultural
and natural
heritage is
aimed at
preserving the
creative works
of human genius
of “outstanding
value” as well
as sites of
natural value,
high biological
diversity and
natural beauty.
This distinction
gives Mexico a
special
responsibility
to protect its
world heritage
sites for future
generations.
Inaugurating the
exhibition,
Mexican
Ambassador Jaime
Nualart said
UNESCO declared
29 sites in
Mexico as world
heritage sites.
“In this
exhibition we
are showcasing
25 pictures of
world heritage
sites. Mexico is
No. 3 in cities
catalogued as
world heritage
sites in
America. It is
not only the
responsibility
of Mexico to
conserve and
protect the
monuments,
landscape and
artistic beauty
but of the
entire
humanity.”
According to
Instituto
Cervantes
director Oscar
Pujol, the
exhibition is
aimed at
showcasing the
Hispaniac
culture. “I hope
Delhiites are
able to find a
connection with
Indian heritage
sites and
Spanish
archaeological
heritage.”
Mexico is one of
the 162 States
that currently
adhere to the
World Heritage
Convention. The
images were
taken by
independent
travel
photographers
Ignacio Guevara,
Alberto Moreno,
Oscar Alvarez,
Carlos Sanchez
Pereyra, Claudio
Contreras Koob
and Rafael
Doniz.
|
In new year,
heritage body
lands
maintenance job
of prime plots

2010 has started
on a good note
for the
Archaeological
Survey of India
(ASI).
It has finally
got two plots of
land for `care
and maintenance'
in the vicinity
of centrally
protected
monuments.
A piece of one
acre land is
near Siri Fort
adjoining its
existing
Children's
Museum.
The other land
-- 13 acres -is
near Humayun's
Tomb in
Nizamuddin.
While for the
first plot, the
ASI was at
loggerheads with
the Delhi
Development
Authority, in
the latter, it
was fighting for
removing
encroachment by
Delhi State
Bharat Scouts
and Guides.
The ASI had
earlier fought a
long legal
battle to claim
halfan-acre of
land on which
the DDA had
built a concrete
building to be
used as an
officers' club.
The building was
handed over to
the ASI, which
opened a
children's
museum there to
create awareness
among youngsters
about heritage.
"An additional
one acre of land
was handed over
to us last week.
We now plan to
use the space
for life-size
replicas of
popular images
like the Buddha
statue at
Sarnath or Anant
Sheshshayi
Vishnu idol near
Lalitpur in
Madhya Pradesh
or Rudrashiva in
Chhattisgarh,"
said K.K.
Muhammed, the
ASI Delhi circle
chief.
The land, which
the ASI took
over on Friday,
has been given
to the ASI for
"care and
maintenance", he
confirmed and
not on ownership
basis.
Similarly, the
ASI received
possession of 13
acres of land on
the north of
Humayun's Tomb
in Nizamuddin
area.
The land was
occupied by
Delhi State
Bharat Scouts
and Guides for
almost three
decades.
This land too
was given to the
ASI last week.
The ASI will
also develop the
place, defaced
by continuous
occupation and
at times
commercial use,
as part of the
ongoing
conservation
project being
carried out by
the Aga Khan
Trust for the
area.
12 January 2010,
Hindustan Times
|
A boost for
Khajuraho

The Madhya
Pradesh
Government has
formed the
Khajuraho
Tourism
Development
Authority to
ensure
development of
the world
heritage site
inot a tourist
spot of
international
standards.
Khajuraho falls
in the grossly
under-developed
Bundelkhand
region of the
state.
|
Unesco asks
India to get
Auroville inscribed
on World Heritage
List

PUDUCHERRY: The
Government of India
has to take steps
for the inscription
of Auroville on
Unesco’s World
Heritage List. Only
then can the World
Heritage Committee
of the United
Nations Educational,
Scientific, and
Cultural
Organisation take up
appropriate
discussions on the
proposal, Unesco
Director-General
Irina Bokova said on
Tuesday.On her
visit to Auroville
along with a team
from Unesco, Ms.
Bokova told
journalists that a
high-level panel on
peace and dialogue
among cultures would
meet for a day in
Paris in
mid-February.
Terming it a “global
peace initiative,”
she said all
countries were
invited to join the
panel.
“The
International Year
of dialogue among
cultures will be
launched on the
occasion.”
In a step towards
establishing
discussions on
issues of the
present-day world,
the panel would look
into the question of
tolerance, ways of
reaching more people
in the globalised
world, extremism,
conflicts and
solutions, and the
importance of
cultural diversity
in the globalised
world.
Earlier,
addressing a
gathering at
Auroville, Ms.
Bokova reiterated
the need for
establishing peace
and humanism in the
world. “There is a
huge technological
advance in the
world. At the same
time, there is
intolerance and
disrespect for each
other. We should be
more engaged in this
debate.”
Referring to
Unesco’s search for
“a new balance and
humanism in the 21st
century,” she said
globalisation
brought in something
new to the people.
“Today, peace can
be defined not as
what we aspired to
20 to 30 years ago.
Peace and humanism
are about respecting
and helping the
marginalised.” These
were also about
reconciliation
between men and
nature. “With
climate change
around us, we need
to find a new
balance/paradigm of
how to treat
nature.”
Ms. Bokova said
education on peace,
sustainable
development,
tolerance and rights
of every human being
was essential. “We
cannot have
sustainable
development without
being accompanied by
moral and ethical
values and respect
for each other,” she
said.
She urged the
Auroville community
to contribute to
Unesco’s search for
a new balance and
humanism in the 21st
century.
Ambassador/Permanent
Representative of
India to Unesco
Bhaswati Mukherjee,
Union Human Resource
Development Ministry
Joint Secretary Amit
Khare, Unesco-New
Delhi Director A.
Parasuraman;
Auroville Governing
Board member Aster
Patel; and Auroville
Foundation secretary
M. Ramaswamy were
present. |
|
13 January 2010,
Hindu
|
Designing Chandni
Chowk of tomorrow

The “Future
Cities India 2020:
Student
Infrastructure
Design Projects”
exhibition on the
theme of
“Re-development of
Chandni Chowk” was
held at American
Center here on
Wednesday.
Featuring 15 schools
shortlisted from 43
entries, the annual
exhibition now in
its fourth year was
organised by the
Union Ministry of
Science & Technology
and Bentley Systems
Incorporated to
actively engage
students from Delhi
and the National
Capital Region
schools to develop
solutions to
real-world
infrastructure
challenges using
their design skills
with Bentley
software.
From exploring
different ways to
organise the present
parking and
transportation
problem in Chandni
Chowk to introducing
new concepts to
revive the lost
heritage and charm
of the area, the
exhibition
represented a
multitude of ideas
reflecting the
children’s
creativity and
vision.
The 15 student
teams in the
competition
addressed three
requirements in
their conceptual
design for
re-development of
the district. These
comprised using the
existing land and
infrastructure to
the best advantage,
proposing a
congestion-free
transportation plan
for Chandni Chowk
and integration of
the principles of
environmentally
sustainable designs.
Bentley global
director Scott
Lofgren said: “There
are no rights or
wrongs here as each
project represents a
creative vision of
youngsters and their
approach to a
real-world problem
with each project
highlighting various
aspects of the
multi-faceted
Chandni Chowk.”
A student
participant from
Manava Bharti
School, Har Sewak
Panesar, said: “We
did not want to
alter the basic
historical character
and essence of
Chandni Chowk and
yet make it
futuristic. So
combining the two
concepts was the
main challenge. The
USP of our project
is the proposal for
setting up a giant
Ferris wheel at
Chandni Chowk which
would offer a
splendid aerial view
of the entire place
showcasing its
historic monuments,
people, culture and
hidden charms. We
have envisioned this
Ferris wheel titled
Chakravyuh-II to be
the next landmark of
Delhi for 2020 just
like Qutub Minar is
the city’s landmark
now.”
Added another
participant, Plash
Sachdeva, “Me and
several of my
teammates had never
been to Chandni
Chowk in our life.
We had our own
pre-conceived
notions about it and
were simply shocked
to see the extent of
mess of civic and
infrastructure
facilities there on
our first field
visit. But as our
project progressed
we realised the true
potential of the
place and came to
the conclusion that
instead of blaming
the authorities we
could design a new
and improved place
for its residents.”
A student of K.
R. Mangalam School,
Roshini Ashok, said:
“Apart from
enhancing my
personal knowledge
of the area and
giving me a new
perspective, the
project also made me
respect architects
and urban planners
and the various
challenges they
face.” |
|
14 January 2010,
Hindu
|
CM:
Involve experts in
Wullar Lake
conservation

“There is need
to have a
comprehensive and
holistic view
towards conservation
of lakes, having
paramount value in
eco-friendly
environment,” said
Chief Minister Omar
Abdullah while
presiding over a
meeting for Wullar
conservation here
today.Omar said
besides being a
historic lake,
Wullar Lake was
important for being
eco-friendly for the
Kashmir valley.
Therefore, expert
groups should be
involved in the
execution of the
Wullar conservation
plan, he added.
The meeting was
attended by Forest
Minister Mian Altaf
Ahmad, Chief
Secretary SS Kapur,
Principal Secretary
to Chief Minister,
Khursheed Ahmad
Ganai,
Commissioner/Secretary,
Forests, Shantmanu,
Principal Chief
Conservator of
Forests Jagdesh
Keshwan, chairman of
the Pollution
Control Board Vinod
Ranjan and other
senior officers.
The Chief
Minister said time
had come to give
more attention to
environment and take
all steps that would
not only help
maintain eco-balance
of all such precious
water bodies, but
also help shape them
as the most
attractive and
captivating sites.
He said, “We
should not have any
hesitation in
acknowledging the
fact that least
attention was given
to such places in
the past.”
Omar thanked the
Central government
for massive
financial help that
the state had
received for
different sectors,
including grants for
environment-oriented
projects.
The Chief
Minister said the
Central government
had already
sanctioned Rs 356
crore for Dal
conservation. Under
lake conservation
programmes, serious
attention was being
paid to develop
Sanasar, Mansar,
Wullar and other
water bodies of the
state, he added.
Omar said even
projects that had
been prepared for
drudging main rivers
of the state shall
also help improve
the quality of water
flowing in such
lakes. The Chief
Minister said while
executing the Rs
386-crore Wullar
Conservation Project
all authorities and
agencies concerned
should keep in mind
mistakes committed
in the past with
regard to the
maintenance and
preservation of such
water bodies and be
more vigilant,
henceforth.
They should
ensure that all
necessary survey and
ground research
should be made in
close association
with reputed experts
on these subjects. |
|
15 January 2010,
Tribune
|
A flying start
to Jaipur heritage
festival

The prestigious
Jaipur Heritage
International
Festival was
re-launched this
Makar Sankranti day
with additional
attractions.The
ten-day event,
“re-designed” by
Jaipur Virasat
Foundation with the
support of civil
society
organisations and
the Rajasthan
Government, would
also coincide with
the four-day Jaipur
Literature Festival
being held from
January 21 to 24.
The Heritage
Festival indeed had
a flying start with
myriad kites dotting
the Pink City’s
skyline. Chief
Minister Ashok
Gehlot and former
Chief Minister
Vasundhara Raje
joined the
celebrations
variously—flying
kites, sharing the
festive “til
laddu”, and also
by trying to
mitigate the misery
of the homeless from
the biting cold by
gifting them
blankets.
Hailed by
heritage and culture
experts as “the only
real city festival
of India”, the
Jaipur Heritage
International
Festival this year
is incorporating the
essence of the
Walled City of
Jaipur besides the
arts and crafts of
the whole of
Rajasthan. The
organisers also
promise that at
least for the next
four years they
would stick to the
present calendar --
from January 14 to
24. “The Jaipur
Heritage
International
Festival will
promote Jaipur and
Rajasthan worldwide
as heritage
destinations. A city
festival like this
can bring people
together on a common
platform and also
contribute
substantially to the
economy,” notes
Rajiv Arora,
chairman of the
festival committee.
“The Festival and
the partners, Vikas
and Virasat, want to
affirm that
Rajasthan’s heritage
is one of our prime
assets. Let us
invest it for the
benefit of the State
and, more
importantly, for the
toiling craftsmen
and artisans,” says
Faith Singh,
founder-trustee of
the Jaipur Virasat
Foundation. “It is
an attempt at better
leveraging of our
rich heritage to
reduce poverty,” she
adds.
As part of the
festival, Chief
Minister Ashok
Gehlot is scheduled
to inaugurate an
exhibition this
coming Tuesday
showcasing key
initiatives taken in
the past for
conservation of some
of the finest
specimens of
architecture in the
State.
A seminar
scheduled for the
day will have a
delegation of
heritage experts
from France
including Senator
Yves Dauge and Minja
Yang, founder of the
Indian Heritage
Cities Network, as
participants.
One of the
highlights of the
festival will be the
Heritage Walk
through the Walled
City of Jaipur, to
be led by the Mayor,
on January 23. The
highlight of the
last day will be a
marathon to be
organised by
Sanskriti and the
World Trade Park.
This Sunday a car
rally titled “Give
us too an equal
chance” will find
visually challenged
people as
navigators. |
|
17 January 2010,
Hindu
|
Lifestyle fest
for nomads in
Capital

In order to
promote nomadic
culture, the nomads
have converged in
the Capital to
celebrate their
existence and their
unique lifestyles.
The main aim of the
festival is to
encourage the
nomadic groups of
India and to
identify knowledge
centres, knowledge
base, artistic hubs
and crafts centres
within the nomadic
communities’ hamlets
with ‘aware’ nomads
as its custodians.
Encouraging the
nomadic music, this
festival joins the
people together and
the tribes which
were earlier
outcasted and faced
a social stigma of
being criminals. The
two-day festival
which started on
Saturday was an
initiative aimed at
linking nomadic
communities of the
world to raise
concern and
awareness about
nomadic communities.
Nomads from Bhopa,
Banjara and
Kalbeliya
communities
discussed various
issues regarding the
criminal acts of the
Government with the
forest department
officials present in
the panel
discussion, which as
part of the
festival's
programme. Various
documentaries which
were also screened
projected various
aspects of Nomadic
lives.
The project has
successfully linked
nomadic musicians of
different
communities who
never played
together. Been with
Ravanhatha and
Bapang with Kaon is
another rare
jugalbandi of
nomadic instruments
displayed in the
festival. The
festival embarks
upon a cultural
journey into the
roots of the tribal
communities and
communicating
thorough them to the
people of the world
so that they can
regain their values
in the society.
Successfully
linking culture with
livelihood for
nomadic communities,
they are on their
way to innervate
nomads in demanding
their share in
governance. NOW
(Nomadic Orchestra
of the World.) was
born to preserve,
promote and transmit
to the future
generations as well
as to raise the
concerns of
nomadic/gypsy
communities in the
world. This project
links to provide
nomadic musicians
from 15 countries
till the year 2015. |
|
17 January 2010,
Pioneer
|
Centre bid to clear
structures near
monuments

In a move that
could raise the
hackles of
conservationists,
the Union government
is set to arm itself
with the authority
to regularise all or
any illegal disputed
structures and
constructions that
fall within the
banned 100-metre
radius of
“protected”
monuments.To
achieve this, the
Centre is planning
to bring a
hastily-drafted
ordinance — Ancient
Monuments and
Archeological Sites
and Remains
(Amendment &
Validation)
Ordinance, 2010.
Sources in the
government told The
Indian Express that
the Ministry of
Culture, which also
deals with the issue
of protection of
monuments, is
planning to seek
approval for the
proposed ordinance
at Thursday’s
meeting of the Union
Cabinet.
Sources said
unless the ordinance
is issued before
January 29 — a date
fixed by the Delhi
High Court in a
judgment relating to
protection of
monuments — work on
crucial
infrastructure for
the Commonwealth
Games as well as the
Delhi Metro Rail
Corporation (DMRC),
especially in areas
such an Purana Qila,
Hauz Khas, Humayun’s
Tomb, Sri Fort and
Nizamuddin would
come to a
standstill.
In its order, the
Delhi HC had
declared all 171
permissions granted
by the Archeological
Survey of India
(ASI) “invalid” and
directed the
government and the
ASI to initiate
steps to remove the
violations that
resulted from the
permission. If
implemented, the
order would result
in large-scale
demolition of
Commonwealth Games
and DMRC
infrastructure,
among others.
Following the HC
directive, the ASI
issued show-cause
notice to all 171
persons/organisations,
including the Delhi
Government and the
DMRC.
There are 3,675
monuments across the
country that have
been declared
protected under the
Ancient Monuments
and Archeological
Sites and Remains
Act, 1958. Even
though, in 1992, the
Centre notified that
no construction or
repair work would be
allowed within the
100-metre
“prohibited” radius
of a protected
monument, in the
last four years
alone, the ASI has
given 171
permissions,
including those to
private parties, to
undertake
construction
activity within the
prohibited area.
These permissions,
Ministry sources
say, were granted on
the recommendation
of an advisory
committee of experts
that the Director
General of ASI
constituted in 2006.
Ironically, the
Tourism Ministry is
already in the
Supreme Court
against a 2004
judgment of the
Delhi HC that asked
the government to
consider existing
ground realities and
come up with
monument-specific
prohibited zones
instead of insisting
upon a uniform
100-metre band. But,
the ASI didn’t
accept the HC
ruling, choosing
instead to file a
special leave
petition in the
Supreme Court
against it. Now, the
decision to bring in
an ordinance to
achieve the same
purpose is something
that the Tourism
Ministry could find
difficult to
explain.
Top Tourism
Ministry and ASI
functionaries have
held eight meetings
with top lawyers
since this month
showing the
seriousness with
which the government
views the situation.
“If we don’t bring
the ordinance, work
on major segments of
Commonwealth Games
and DMRC would have
to be stopped. And,
then there is the
issue of permissions
that have been
granted to private
parties, which
allowed them to
carry out
constructions within
the 100-metre
prohibited zone
around protected
monuments. But, the
final decision will
have to be taken by
the Cabinet,” said a
ministry official. |
|
21 January 2010,
Indian Express
|
Govt steps
in to save
illegal
structures
SHIELD To bring
ordinance for
regularizing
constructions
around protected
monuments
The government
has NEW DELHI:
The government
has decided to
bring an
ordinance to
regularize
illegal or
disputed
structures and
constructions
around monuments
to clear legal
hurdles in the
way of several
infrastructure
projects linked
to the
Commonwealth
Games here in
October.
The 'Ancient
Monuments and
Archaeological
Sites and
Remains
(Amendment &
Validation)
Ordinance, 2010'
was cleared by
the Union
Cabinet and is
being sent to
President
Pratibha Patil
for approval, a
government
official said.
The government's
move comes in
the wake of the
Delhi High Court
declaring 171
permissions
granted by
Archaeological
Survey of India
"invalid" and
directed the
government and
the ASI to
initiate steps
to remove the
violations.
The ASI issued
show-cause
notices to civic
agencies in
connection with
construction
activities at
and around 92
protected
structures like
Red Fort, Hauz
Khas, Humayun's
Tomb and Siri
Fort.
Among those
affected by the
decision were
the Delhi Metro
Rail Corporation
and the
Commonwealth
Games Committee
over structures
constructed
within
prohibited areas
of centrally
protected
monuments.
The Delhi High
Court had set
January 29 as
the deadline for
the government
to respond to a
decision
relating to
protection of
monuments. |
|
22 January 2010,
Hindustan Times
|
OUR LESSER
KNOWN TREASURES
These monuments
are an integral
part of Delhi's
rich heritage,
but few know
about them
D e a d lhiites
walk around,
into nd out of
history every
day. And history
sometimes comes
with unusual
names -- Masjid
Moth, Pir
Gharib, Arab Ki
Sarai and Khirki
Gaon. But how
many of us know
the history of
the areas we
live in?
"Frankly
speaking, I
don't know much
about Khirki
Extension and
Khirki Gaon or
its nomenclature
despite having
lived there for
eight years. I
just know that
the area was a
village
earlier," says
Ajay Sharma.
Swati Kapoor, a
Delhi University
student who has
been living near
Masjid Moth for
eleven years,
just knows that
the area is
called so after
a mosque in that
area. "I agree
it's an unusual
name, as moth is
a type of
lentil, but
somehow I never
got down to
discovering the
reason," she
says.
Every monument
has a story to
tell, if we only
care to look
closely. Masjid
Moth, near Anand
Lok in South
Extension, was
built by Wazir
Miyan Bhoiya
during the reign
of Sikandar
Lodi, around
1505 AD.
"Legend has it
that Lodi found
a grain of
lentil while he
was at the Grand
Mosque (a mosque
close to where
Masjid Moth is
now) and gifted
it to Bhoiya as
a joke. Bhoiya,
instead of
throwing away
the lentil,
planted,
replanted and
re-replanted the
harvest from
that single
grain till he
got enough money
to build a
mosque," says
Rakhshanda
Jalil, author of
Invisible City:
The Hidden
Monuments of
Delhi. That
mosque came to
be known as
Masjid Moth, and
its foundation
was laid by
Lodi.
Khirki Gaon has
a similarly
intriguing name.
This village
that lies
between Malviya
Nagar and PVR
Saket gets its
name for the
Khirki (window)
Masjid located
here. The mosque
gets its name
from the
numerous windows
that run all
around the outer
wall of the
structure. It
dates back to
the 1350s and
was built by
Khan-i-Jahan
Maqbul
Tilangani, prime
minister to
Firoz Shah
Tughlaq.
Located within
the boundary of
Humayun's tomb
are structures
like Nai Ka
Gumbad, Bu
Halima's garden
and Arab Ki
Sarai, among
others. Nai Ka
Gumbad is a
square tomb with
a doubledome and
is said to have
been built for
the Emperor's
favourite
barber. "Arab ki
Sarai is
believed to have
housed the
artisans
employed in
constructing
Humayun's Tomb,
brought from
Arabia by
Humayun's widow
Hamida
Begum,"says
Jalil. |
|
22 January 2010,
Hindustan Times
|
HUMAYUN'S
Tomb to get back
Its crown jewels

ASI And Aga Khan
Trust Will
Rebuild The
Tiles On Eight
Canopies Of The
Sixteenth
Century
Monument, In The
Original Colours
And Using The
Original
Blueprints
World heritage
site Humayun’s
Tomb is all set
to regain its
lost
architectural
marvels. The
eight canopies
on the dome of
the 16th century
monument — which
originally had
striking blue,
yellow and green
colour tiles —
will be restored
as per the
original Mughal
design and
architecture.
Experts said
that the process
of rebuilding
the tiles was a
very long
process and
involved
detailed studies
aimed at
understanding
the original
design and
composition of
the Mughal-era
tiles.
Archaeological
Survey of India
(ASI)
director-general
K N Shrivastava
said: ‘‘We are
going to
reconstruct the
original blue
tile work on the
canopies of the
monument. Since
the monument is
a world heritage
site, we will
have to keep
Unesco updated
about the plan
and also about
the progress of
the conservation
work. Under the
principles of
conservation,
monuments have
to be conserved
according to the
original design
and shape.
Reconstructing
the lost blue
tile work is a
structural
requirement of
the tomb.’’
According to ASI
officials, the
smaller canopies
on the roof of
the tomb were
originally
decorated with
ceramic tiles in
lapis blue,
turquoise blue,
green, white and
yellow as was
the tradition at
that time.
‘‘These striking
colours were
highlighted by
the contrasting
milky whiteness
of the marble
dome in the
background.
During the early
19th century,
most of the
original tiles
started peeling
off. Only traces
of them remain
today,’’ said a
senior ASI
official.
Experts said
that traces of
tile work that
remained have
helped reveal
the original
pattern, and
laboratories in
Roorkee, Oxford
and Barcelona
have tested the
tile samples.
‘‘An
international
workshop —
co-sponsored by
Unesco and ASI —
on conservation
of Humayun’s
Tomb tile work
was held in
April 2009 to
discuss, debate
and find
possible
solutions for
conservation of
tiles on the
tomb’s canopies,
including
restoration of
the missing tile
work,’’ added
officials. About
40 participants
from nine tile
producing
countries of
Afghanistan,
Bangladesh,
India, Iran,
Kyrgyzstan,
Pakistan,
Tajikistan,
Turkmenistan and
Uzbekistan
participated in
the workshop.
According to
historians, tile
work is a
significant
element in
several Lodhi
and early Mughal
period
structures and
remnants of tile
work can be seen
on several
monuments in
Delhi. However,
the tile-making
traditions
followed by the
Mughals have
been lost over
the centuries
and hence very
little in
conservation
terms could be
done when the
tiles have
fallen,
vandalised or
simply gone
missing.
Tile work is a
significant
architectural
element, and it
also protects
the underlying
surface. The
loss of tile
work severely
disfigures the
historic
architectural
character/integrity
of the monument.
"Conservation of
existing tile
work should be a
priority at all
sites and
efforts should
be made to
minimise further
loss of the
original tiles.
Any new tile
work that will
replace missing
tiles should
match the
original ones in
colour, texture,
composition and
other physical
and chemical
properties and
the conservation
work should
respect the
original
patterns,’’ said
Ratish Nanda of
Aga Khan Trust
for Culture
(AKTC).
AKTC will also
train youths of
Nizamuddin Basti
to produce
Mughalstyle
tiles and to
preserve
tile-making
traditions in
the country.
The conservation
work at the
Humayun’s Tomb
is part of a
publicprivate
partnership
between the ASI,
AKTC, Central
Public Works
Department
(CPWD),
Municipal
Corporation of
Delhi (MCD) and
Aga Khan
Foundation.
Some months ago,
ASI and AKTC
officials had
removed a thick
layer of cement
concrete from
the roof of the
mausoleum. The
concrete was
putting a
pressure of
about 10 lakh
kilos on the
structure. This
layer that had
been added to
the monument
during the
British rule to
prevent water
seepage also
blocked the
water drainage
channels on the
roof, leading to
accumulation of
rainwater
causing
considerable
damage to the
monument.
Making History
Again
The eight canopies
on Humayun’s Tomb
were originally
covered with ceramic
tiles in lapis blue,
turquoise blue,
green, white and
yellow tile-making
techniques used by
the Mughals have
been lost over the
centuries and very
little in terms of
conservation has
been done when the
tiles have been
vandalised, fallen
or simply gone
missing Traces of
the original tile
work on the canopies
of Humayun’s Tomb
helped reveal the
original pattern of
the tiles built in
Mughal emperor
Humayun’s memory in
1562 by his widow
Hamida Begum,
Humayun’s Tomb was
the first structure
to use red sandstone
on such a large
scale and also the
first garden-tomb in
the Indian
subcontinent. It was
given Unesco world
heritage status in
19933 |
|
31 January 2010,
Times City, Times of
India
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